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Friday, November 18, 2011

Sufi Poetry


                                                                                    
Attar of Nishapur (1145 - 1221 ce) saint and mystic, one of the most voluminous authors in Persian literature on religious topics. His best-known work, Conference of the Birds, is an elaborate allegory of the soul's quest for reunion with God


So long as we do not die to ourselves,
and so long as we identify with someone or something,
we shall never be free.
The spiritual way is not for those wrapped up in exterior life.


Farid ud Din Attar

Strive to discover the mystery before life is taken from you.
If while living you fail to find yourself, to know yourself,
how will you be able to understand
the secret of your existence when you die?



Farid ud Din Attar - translation Margaret Smith -The Jawhar Al-Dhat 


In the dead of night, a Sufi began to weep.
He said, "This world is like a closed coffin, in which
We are shut and in which, through our ignorance,
We spend our lives in folly and desolation.
When Death comes to open the lid of the coffin,
Each one who has wings will fly off to Eternity,
But those without will remain locked in the coffin.
So, my friends, before the lid of this coffin is taken off,
Do all you can to become a bird of the Way to God;
Do all you can to develop your wings and your feathers."


Farid ud Din Attar, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'


The whole world is a marketplace for Love,
For naught that is, from Love remains remote.
The Eternal Wisdom made all things in Love.
On Love they all depend, to Love all turn.
The earth, the heavens, the sun, the moon, the stars
The center of their orbit find in Love.
By Love are all bewildered, stupefied,
Intoxicated by the Wine of Love.


From each, Love demands a mystic silence.
What do all seek so earnestly? "Tis Love.
Love is the subject of their inmost thoughts,
In Love no longer "Thou" and "I" exist,
For self has passed away in the Beloved.
Now will I draw aside the veil from Love,
And in the temple of mine inmost soul
Behold the Friend, Incomparable Love.
He who would know the secret of both worlds
Will find that the secret of them both is Love.


Farid ud Din Attar, in Essential Sufism, James Fadiman and Robert Frager

Four Things to Know


Hatim al-Asamm said, "I have chosen four things to know
and discarded all other things of knowledge.
"The first is this: I know that my daily bread is apportioned
to me and will neither be increased or decreased, so I have stopped
trying to add to it.
"Secondly, I know I owe to God a debt which no one else can
pay for me, so I am busy about paying it.
"Thirdly, I know that there is someone pursuing me ---
Death --- whom I cannot escape from, so I have prepared myself
to meet him.
"Fourth, I know that God is observing me, so I am ashamed
to do what I should not."


Farid ud Din Attar, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'


In the dead of night, a Sufi began to weep.
He said, "This world is like a closed coffin, in which
We are shut and in which, through our ignorance,
We spend our lives in folly and desolation.
When Death comes to open the lid of the coffin,
Each one who has wings will fly off to Eternity,
But those without will remain locked in the coffin.
So, my friends, before the lid of this coffin is taken off,
Do all you can to become a bird of the Way to God;
Do all you can to develop your wings and your feathers.


"Farid ud Din Attar, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'


Hafiz of Shiraz (1230-91 ce) the greatest lyric poet of Persia, who took the poetic form of the ghazal to unparalleled heights of subtlety and beauty.


I speak frankly and that makes me happy:
I am the slave of love, I am free of both worlds.


I am a bird from heaven's garden. How do I describe that separation,
my fall into this snare of accidents?


I was an angel and highest paradise was my place.
Adam brought me to this monastery in the city of ruin.


The hours' caress, the pool and shade trees of paradise
were forgotten in the breeze from your alleyway.


There is nothing on the tablet of my heart but my love's tall alif.
What can I do? My master taught me no other letter.


No astrologer knew the constellations of my fate.
O lord, when I was born of mother earth which stars were rising?


Ever since I became a slave at the door of love's tavern
sorrows come to me each moment with congratulations.


The pupil of my eye drains the blood from my heart.
I deserve it. Why did I give my heart to the darling of others?


Wipe the tears from Hafiz's face with soft curls
or else this endless torrent will uproot me.


Hafiz - Ghazal 44 - "The Green Sea of Heaven" - Elizabeth T. Gray Jr


The sun
Won a beauty contest and became a jewel
Set upon God’s right hand.


The earth agreed to be a toe ring on the
Beloved’s foot
And has never regretted its decision.


The mountains got tired
Of sitting amongst a sleeping audience


And are now stretching their arms
Toward the Roof.


The clouds gave my soul an idea
So I pawned my gills
And rose like a winged diamond


Ever trying to be near
More love, more love
Like you.


The Mountain got tired of sitting
Amongst a snoring crowd inside of me
And rose like a rip sun
Into my eye.


My soul gave my heart a brilliant idea
So Hafiz is rising like a
Winged diamond.


Hafiz - “The Gift” – translation by Daniel Ladinsky


We are the guardians of His Beauty


We are the protectors
Of the Sun.


There is only one reason
We have followed God into this world:


To encourage laughter, freedom, dance
And love.


Let a noble cry inside of you speak to me
Saying,


"Hafiz,
Don't just sit there on the moon tonight
Doing nothing -


Help unfurl my heart into the Friend's Mind,
Help, Old Man, to heal my wounded wings!"


We are the companions of His Beauty
We are the guardians
Of Truth.


Every man, plant and creature in Existence,
Every woman, child, vein and note
Is a servant of our Beloved -


A harbinger of joy,
The harbinger of
Light.

Hafiz - "The Subject Tonight is Love" - Daniel Ladinsky


Mortal never won to view thee,
Yet a thousand lovers woo thee;
Not a nightingale but knows
In the rose-bud sleeps the rose.


Love is where the glory falls
Of thy face: on convent walls
Or on tavern floors the same
Unextinguishable flame.


Where the turban'd anchorite
Chanteth Allah day and night,
Church-bells ring the call to prayer,
And the Cross of Christ is there.

Hafiz - "Persian Poems" - R.A. Nicholson


Come,
let's scatter roses and pour wine in the glass;
we'll shatter heaven's roof and lay a new foundation.
If sorrow raises armies to shed the blood of lovers,
I'll join with the wine bearer so we can overthrow them.
With a sweet string at hand, play a sweet song, my friend,
so we can clap and sing a song and lose our heads in dancing.


Hafiz (Ghani-Qazvini, no 374) ' the Shambhala Guide to Sufism' Carl.W Ernst, Ph.D.


Jami (1414 - 1492 ce) (Nur al-Din 'Abd al-Rahman ibn Ahmad al-Jami) commonly called the last great classical poet of Persia, saint and mystic, composed numerous lyrics and idylls, as well as many works in prose. His Salaman and Absal is an allegory of profane and sacred love. Some of his other works include Haft Awrang, Tuhfat al-Ahrar, Layla wa -Majnun, Fatihat al-Shabab, Lawa'ih, al-Durrah al-Fakhirah.


Who is man?
The reflection of the Eternal Light.


What is the world?
A wave on the Everlasting Sea.

How could the reflection be cut off from the Light?
How could the wave be separate from the Sea?
Know that this reflection and this wave are that very Light and Sea.


Jami, Diwan, tr by W.C. Chittick


Hidden behind the veil of mystery, Beauty is eternally free from the slightest stain of imperfection. From the atoms of the world, He created a multitude of mirrors; into each one of them He cast the image of His Face; to the awakened eye, anything that appears beautiful is only a reflection of that Face.


Now that you have seen the reflection, hurry to its Source; in that primordial Light the reflection vanishes completely. Do not linger far from that primal Source; when the reflection fades, you will be lost in darkness. The reflection is as transient as the smile of a rose; if you want permanence, turn towards the Source; if you want fidelity, look to the Mine of faithfulness. Why tear your soul apart over something here one moment and gone the next?


ami, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'

Whether your destiny is glory or disgrace,
Purify yourself of hatred and love of self.
Polish your mirror; and that sublime Beauty
From the regions of mystery
Will flame out in your heart
As it did for the saints and prophets.
Then, with your heart on fire with that Splendor,
The secret of the Beloved will no longer be hidden.


Jami, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'


Jelaluddin Rumi (1207-1273 ce) saint and mystic, inspiration for the Mevlevi Order of the whirling dervishes, highly revered for the great Mathnawi which is a grand tribute to the depth of spiritual life.




The Jesus of your spirit is inside you now.
Ask that one for help, but don't ask for body-things...


Don't ask Moses for provisions
that you can get from Pharaoh.


Don't worry so much about livelihood.
Your livelihood will turn out as it should.
Be constantly occupied instead
with listening to God.


Rumi, Mathnawi II:450-454


Listen for the stream
that tells you one thing.


Die on this bank.
Begin in me
the way of rivers with the sea.


Rumi - Coleman Barks - from "Say I Am You"


You've no idea how hard I've looked for a gift to bring You.
Nothing seemed right.


What's the point of bringing gold to the gold mine, or water to the Ocean.
Everything I came up with was like taking spices to the Orient.

It's no good giving my heart and my soul because you already have these.


So- I've brought you a mirror.


Look at yourself and remember me.


- Jalaluddin Rumi, Essential Rumi, Coleman Barks, pg141


Longing is the core of mystery.
Longing itself brings the cure.
The only rule is, Suffer the pain.


Your desire must be disciplined,
and what you want to happen
in time, sacrificed.


Rumi - The Essential Rumi - Coleman Barks

Oh! Supreme Lover!
Let me leave aside my worries.


ami, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'

Whether your destiny is glory or disgrace,
Purify yourself of hatred and love of self.
Polish your mirror; and that sublime Beauty
From the regions of mystery
Will flame out in your heart
As it did for the saints and prophets.
Then, with your heart on fire with that Splendor,
The secret of the Beloved will no longer be hidden.


Jami, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'




Jelaluddin Rumi (1207-1273 ce) saint and mystic, inspiration for the Mevlevi Order of the whirling dervishes, highly revered for the great Mathnawi which is a grand tribute to the depth of spiritual life.




The Jesus of your spirit is inside you now.
Ask that one for help, but don't ask for body-things...


Don't ask Moses for provisions
that you can get from Pharaoh.


Don't worry so much about livelihood.
Your livelihood will turn out as it should.
Be constantly occupied instead
with listening to God.


Rumi, Mathnawi II:450-454


Listen for the stream
that tells you one thing.


Die on this bank.
Begin in me
the way of rivers with the sea.


Rumi - Coleman Barks - from "Say I Am You"


You've no idea how hard I've looked for a gift to bring You.
Nothing seemed right.


What's the point of bringing gold to the gold mine, or water to the Ocean.
Everything I came up with was like taking spices to the Orient.


It's no good giving my heart and my soul because you already have these.


So- I've brought you a mirror.


Look at yourself and remember me.


- Jalaluddin Rumi, Essential Rumi, Coleman Barks, pg141


Longing is the core of mystery.
Longing itself brings the cure.
The only rule is, Suffer the pain.


Your desire must be disciplined,
and what you want to happen
in time, sacrificed.


Rumi - The Essential Rumi - Coleman Barks


Oh! Supreme Lover!
Let me leave aside my worries.


The flowers are blooming
with the exultation of your Spirit.


By Allah!
I long to escape the prison of my ego
and lose myself
in the mountains and the desert.


These sad and lonely people tire me.
I long to revel in the drunken frenzy of your love
and feel the strength of Rustam in my hands.


I'm sick of mortal kings.
I long to see your light.
With lamps in hand
the sheikhs and mullahs roam
the dark alleys of these towns
not finding what they seek.


You are the Essence of the Essence,
The intoxication of Love.
I long to sing your praises
but stand mute
with the agony of wishing in my heart.


Rumi - 'The Love Poems of Rumi' - Deepak Chopra & Fereydoun Kia

Inside this new love, die.
Your way begins on the other side.
Become the sky.
Take an axe to the prison wall.
Escape.
Walk out like someone suddenly born into color.
Do it now.
You're covered with a thick cloud.
Slide out the side. Die,
and be quiet. Quiteness is the surest sign
that you've died.
Your old life was a frantic running
from silence.


The speechless full moon
comes out now.


Rumi - The Essential Rumi - Coleman Barks


The Morning Wind Spreads
The morning wind spreads its fresh smell.
We must get up and take that in,
that wind that lets us live.
Breathe before it's gone.


Rumi - 'The Essential Rumi' - Coleman Barks

Everyone is overridden by thoughts;
that's why they have so much heartache and sorrow.
At times I give myself up to thought purposefully;
but when I choose,
I spring up from those under its sway.
I am like a high-flying bird,
and thought is a gnat:
how should a gnat overpower me?


Rumi - Mathnawi II, 3559-3561 - 'Rumi: Jewels of Remembrance' - Camille and Kabir Helminski


I wonder
from these thousand of "me's",
which one am I?
Listen to my cry, do not drown my voice
I am completely filled with the thought of you.
Don't lay broken glass on my path
I will crush it into dust.
I am nothing, just a mirror in the palm of your hand,
reflecting your kindness, your sadness, your anger.
If you were a blade of grass or a tiny flower
I will pitch my tent in your shadow.
Only your presence revives my withered heart.
You are the candle that lights the whole world
and I am an empty vessel for your light.

Rumi - "Hidden Music" - Maryam Mafi & Azima Melita Kolin


 Happy the moment when we are seated in the Palace, thou and I,
With two forms and with two figures but with one soul, thou and I.
The colours of the grove and the voice of the birds will bestow immortality
At the time when we come into the garden, thou and I.
The stars of heaven will come to gaze upon us;
We shall show them the Moon itself, thou and I.
Thou and I, individuals no more, shall be mingled in ecstasy,
Joyful and secure from foolish babble, thou and I.
All the bright-plumed birds of heaven will devour their hearts with envy
In the place where we shall laugh in such a fashion, thou and I.
This is the greatest wonder, that thou and I, sitting here in the same nook,
Are at this moment both in ‘Iraq and Khorasan, thou and I.
Jelaluddin Rumi, in The Mystics of Islam, translated by Reynold A Nicholson


 Awakened by your love,
I flicker like a candle's light
tryin to hold on in the dark.
Yet, you spare me no blows
and keep asking,
"Why do you complain?"


Rumi - "Whispers of the Beloved" - Maryam Mafi & Azima Melita Kolin


My heart tells me it is distressed with Him,
but I can only laugh at such pretended injuries.


Be fair, You who are the Glory of the just.
You, Soul, free of "we" and "I,"
subtle spirit within each man and woman.


When a man and a woman become one,
that "one" is You.
And when that one is obliterated, there You are.


Where is this "we" and this "I"?
By the side of the Beloved.
You made this "we" and this "I"
in order that you might play
this game of courtship with Yourself,
that all "you's" and "I's" might become one soul
and finally drown in the Beloved.


All this is true. Come!
You who are the Creative Word: Be
You, so far beyond description.


Is it possible for the bodily eyes to see You?
Can thought comprehend Your laughter or grief?
Tell me now, can it possibly see You at all?
Such a heart has only borrowed things to live with.


The garden of love is green without limit
and yields many fruits other than sorrow or joy.
Love is beyond either condition:
without spring, without autumn, it is always fresh.


Rumi - Mathnawi I, 1779-1794 - The Rumi Collection - Kabir Helminski


Saadi of Shiraz (1215 -1292 ce), a great poet of Persia, author of the Gulistan (Rose-Garden) and the Bostan (Orchard), who also wrote many odes and lyrics.




O bird of the morning, learn love from the moth
Because it burnt, lost its life, and found no voice.
These pretenders are ignorantly in search of Him,
Because he who obtained knowledge has not returned.


Sheikh Muslih-uddin Sa'di Shirazi - The Gulistan of Sa'di


How could I ever thank my Friend?
No thanks could ever begin to be worthy.
Every hair of my body is a gift from Him;
How could I thank Him for each hair?
Praise that lavish Lord forever
Who from nothing conjures all living beings!
Who could ever describe His goodness?
His infinite glory lays all praise waste.
Look, He has graced you a robe of splendor
>From childhood's first cries to old age!
He made you pure in His own image; stay pure.
It is horrible to die blackened by sin.
Never let dust settle on your mirror's shining;
Let it once grow dull and it will never polish.
When you work in the world to earn your living
Do not, for one moment, rely on your own strength.
Self-worshiper, don't you understand anything yet?
It is God alone that gives your arms their power.
If, by your striving, you achieve something good,
Don't claim the credit all for yourself;
It is fate that decides who wins and who loses
And all success streams only from the grace of God.
In this world you never stand by your own strength;
It is the Invisible that sustains you every moment.

Saadi, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'


Sanai (1118 -1152 ce) (Abû'l-Majd Majdûd b. Adam Sanâ'î) is revered as one of the first great mystical poets of Persia. He produced many lyrical poems and a religious epic, The Walled Garden of Truth.


Don't speak of your suffering -- He is speaking.
Don't look for Him everywhere -- He's looking for you.


An ant's foot touches a leaf, He senses it;
A pebble shifts in a streambed, He knows it.


If there's a worm hidden deep in a rock,
He'll know its body, tinier than an atom,


The sound of its praise, its secret ecstasy --
All this He knows by divine knowing.


He has given the tiniest worm its food;
He has opened to you the Way of the Holy Ones.


Sanai


'The Puzzle'


Someone who keeps aloof from suffering
is not a lover. I choose your love
above all else. As for wealth
if that comes, or goes, so be it.
Wealth and love inhabit separate worlds.


But as long as you live here inside me,
I cannot say that I am suffering.


Sanai, translation by Coleman Barks - 'Persian Poems'


'The Way of the Holy Ones'


Don't speak of your suffering -- He is speaking.
Don't look for Him everywhere -- He's looking for you.


An ant's foot touches a leaf, He senses it;
A pebble shifts in a streambed, He knows it.


If there's a worm hidden deep in a rock,
He'll know its body, tinier than an atom,


The sound of its praise, its secret ecstasy --
All this He knows by divine knowing.


He has given the tiniest worm its food;
He has opened to you the Way of the Holy Ones.


Sanai, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'

Those unable to grieve,
or to speak of their love,
or to be grateful, those
who can't remember God
as the source of everything,


might be described as a vacant wind,
or a cold anvil, or a group
of frightened old people.


Say the Name. Moisten your tongue
with praise, and be the spring ground,
waking. Let your mouth be given
its gold-yellow stamen like the wild rose's.


As you fill with wisdom,
and your heart with love,
there's no more thirst.


There's only unselfed patience
waiting on the doorsill, a silence
which doesn't listen to advice
from people passing in the street.

Sanai - "Persian Poems" - Coleman Barks
Yunus Emre - (1241 - 1321 ce). Yunus' poetry made a great impact on Turkish culture.

The drink sent down from Truth,
we drank it, glory be to God.
And we sailed over the Ocean of Power,
glory be to God.


Beyond those hills and oak woods,
beyond those vineyards and gardens,
we passed in health and joy, glory be to God.


We were dry, but we moistened.
We grew wings and became birds,
we married one another and flew,
glory be to God.


To whatever lands we came,
in whatever hearts, in all humanity,
we planted the meanings Taptuk taught us,
glory be to God.


Come here, let's make peace,
let's not be strangers to one another.
We have saddled the horse
and trained it, glory be to God.


We became a trickle that grew into a river.
We took flight and drove into the sea,
and then we overflowed, glory be to God.


We became servants at Taptuk's door.
Poor Yunus, raw and tasteless,
finally got cooked, glory be to God.


Yunus Emre, translated by Kabir Helminski and Refik Algan - 'The Drop That Became Sea'


Ask those who know,
what's this soul within the flesh?
Reality's own power.
What blood fills these veins?


Thought is an errand boy,
fear a mine of worries.
These sighs are love's clothing.
Who is the Khan on the throne?


Give thanks for His unity.
He created when nothing existed.
And since we are actually nothing,
what are all of Solomon's riches?


Ask Yunus and Taptuk
what the world means to them..
The world won't last.
What are You? What am I?


Yunus Emre, translated by Kabir Helminski and Refik Algan - 'The Drop That Became Sea'


We entered the house of realization,
we witnessed the body.


The whirling skies, the many-layered earth,
the seventy-thousand veils,
we found in the body.
The night and the day, the planets,
the words inscribed on the Holy Tablets,
the hill that Moses climbed, the Temple,
and Israfil's trumpet, we observed in the body.
Torah, Psalms, Gospel, Quran-
what these books have to say,
we found in the body.


Everybody says these words of Yunus
are true. Truth is wherever you want it.
We found it all within the body.


Yunus Emre, yranslated by Kabir Helminski and Refik Algan - 'The Drop That Became Sea'


I am before, I am after
The soul for all souls all the way.
I'm the one with a helping hand
Ready for those gone wild, astray.


I made the ground flat where it lies,
On it I had those mountains rise,
I designed the vault of the shies,
For I hold all things in my sway.


To countless lovers I have been
A guide for faith and religion.
I am sacrilege in men's hearts
Also the true faith and Islam's way.


I make men love peace and unite;
Putting down the black words on white,
I wrote the four holy books right
I'm the Koran for those who pray.


It's not Yunus who says all this:
It speaks its own realities:
To doubt this would be blasphemous:
"I'm before-I'm after," I say


Yunus Emre


Your love has wrested me away from me,
You're the one I need, you're the one I crave.
Day and night I burn, gripped by agony,
You're the one I need, you're the one I crave.


I find no great joy in being alive,
If I cease to exist, I would not grieve,
The only solace I have is your love,
You're the one I need, you're the one I crave.


Lovers yearn for you, but your love slays them,
At the bottom of the sea it lays them,
It has God's images-it displays them;
You're the one I need, you're the one I crave.


Let me drink the wine of love sip by sip,
Like Mecnun, live in the hills in hardship,
Day and night, care for you holds me in its grip,
You're the one I need, you're the one I crave.


Even if, at the end, they make me die
And scatter my ashes up to the shy,
My pit would break into this outcry:
You're the one I need, you're the one I crave.


"Yunus Emre the mystic" is my name,
Each passing day fans and rouses my flame,
What I desire in both worlds in the same:
You're the one I need, you're the one I crave.


Yunus Emre


Sa'd al-din Mahmud Shabistari(1288 - 1340 ce) is one of the most celebrated authors of Persian Sufism. Because of his gift for expressing the Sufi mystical vision with extraordinary clarity, his Gulshan-i Raz (Secret Rose Garden) rapidly became one of the most popular works of Persian Sufi poetry.


Go sweep out the chamber of your heart.
Make it ready to be the dwelling place of the Beloved.
When you depart out, He will enter it.
In you, void of yourself, will He display His beauties.


Mahmud Shabistari - 'Rose Garden of Mystery'


'One Light'


What are "I" and "You"?
Just lattices
In the niches of a lamp
Through which the One Light radiates.


"I" and "You" are the veil
Between heaven and earth;
Lift this veil and you will see
How all sects and religions are one.


Lift this veil and you will ask---
When "I" and "You" do not exist
What is mosque?
What is synagogue?
What is fire temple?


Mahmud Shabistari, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'


Sheikh Ansari Jabir ibn 'Abdullah al-Ansari (1006-1088 ce) He was called Sheikh al-Islam and he was also given the title Zayn al- 'Ulama (Ornament of the Scholars) and Nasir al-Sunnah (Supporter of the Prophetic Tradition). Later on in Persian texts he was called Pir-e Herat (the Sheikh of Herat).


Some of Ansari works include Kashf al-Asrar "Unveiling of the Secrets" (Commentary of the Qur'an), Tabaquat al-Sufiyya (The Generations of the Sufis), "Munajat" (Intimate Invocations) which is incorporated into the Kashf al-Asrar and in the Tabaqat.

'The Friend Beside Me'


O God
You know why I am happy:
It is because I seek Your company,
not through my own (efforts).


O God,
You decided and I did not.
I found the Friend beside me
when I woke up!


Sheikh Ansari - Kashf al_Asrar, Vol. 5, p. 407 - 'Munajat - The Intimate Invocations' - A.G. Farhadi


'Where Are You?'


O God,
You are the aim of the call of the sincere,
You enlighten the souls of the friends, (and)
You are the comfort of the hearts of the travellers---
because You are present in the very soul.


I call out, from emotion:
"Where are you?"


You are the life of the soul,
You are the rule (ayin) of speech, (and)
You are Your own interpreter (tarjaman).


For the sake of Your obligation to Yourself,
do not enter us into the shade of deception, (but)
make us reach union (wisal) with You.


Sheikh Ansari - Kashf al_Asrar, Vol. 5, p. 598 - 'Munajat - The Intimate Invocations' - A.G. Farhadi

'Pursuit of the Friend'


The heart left,
and the Friend is (also) gone.
I don't know whether I should go after the Friend
or after the heart!
A voice spoke to me:
"Go in pursuit of the Friend,
because the lover needs a heart
in order to find union with the Friend.
If there was no Friend,
what would (the lover) do with (his) heart?"


Sheikh Ansari - Kashf al_Asrar, Vol. 1, p. 628 - 'Maqulat-o Andarz-ha - Sayings and Advice' - A.G. Farhadi


'The Beauty of Oneness'


Any eye filled with the vision of this world
cannot see the attributes of the Hereafter,
Any eye filled with the attributes of the Hereafter
would be deprived of the Beauty (Jamal) of (Divine) Oneness.


Sheikh Ansari - Kashf al_Asrar, Vol. 7, p. 511 - 'Maqulat-o Andarz-ha - Sayings and Advice' - A.G. Farhadi


'In Each Breath'


O you who have departed from your own self,
and who have not yet reached the Friend:
do not be sad, (for)
He is accompanying you in each of (your) breaths.


Sheikh Ansari - Kashf al_Asrar, Vol. 7, p. 268 - 'Maqulat-o Andarz-ha - Sayings and Advice' - A.G. Farhadi


Rabi'a al-'Adawiyya (717 - 801 ce) was born in Basra. As a child, after the death of her parents, Rabi'a was sold into slavery. After years of service to her slavemaster, Rabi'a began to serve only the Beloved with her actions and thoughts. Since she was no longer useful to the slaveowner, Rabi'a was then set free to continue her devotion to the Beloved.


Rabi'a taught that the true lover, whose consciousness is unwaveringly centered on the Beloved, is unattached to conditions such as pleasure or pain, not from sensory dullness but from ceaseless rapture in Divine Love.


Rabia was once asked, "How did you attain that which you have attained?"
"By often praying, 'I take refuge in You, O God, from everything that distracts me from You, and from every obstacle that prevents me from reaching You.'"


Rabi´a al-Adawiyya, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'

In love, nothing exists between heart and heart.
Speech is born out of longing,
True description from the real taste.
The one who tastes, knows;
the one who explains, lies.
How can you describe the true form of Something
In whose presence you are blotted out?
And in whose being you still exist?
And who lives as a sign for your journey?


Rabia al-Adawiyya

I have two ways of loving You:
A selfish one
And another way that is worthy of You.
In my selfish love, I remember You and You alone.
In that other love, You lift the veil
And let me feast my eyes on Your Living Face.

Rabi´a al-Adawiyya. Doorkeeper of the heart:versions of Rabia. Trans. Charles Upton


 The source of my suffering and loneliness is deep in my heart.
This is a disease no doctor can cure.
Only Union with the Friend can cure it.


Rabi´a al-Adawiyya, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'


I have made You the Companion of my heart.
But my body is available to those who desire its company,
And my body is friendly toward its guest,
But the Beloved of my heart is the guest of my soul.


Rabi´a al-Adawiyya translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'


Brothers, my peace is in my aloneness.
My Beloved is alone with me there, always.
I have found nothing in all the worlds
That could match His love,
This love that harrows the sands of my desert.
If I come to die of desire
And my Beloved is still not satisfied,
I would live in eternal despair.


To abandon all that He has fashioned
And hold in the palm of my hand
Certain proof that He loves me---
That is the name and the goal of my search.


Rabi´a al-Adawiyya, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'


O Lord,
If tomorrow on Judgment Day
You send me to Hell,
I will tell such a secret
That Hell will race from me
Until it is a thousand years away.


O Lord,
Whatever share of this world
You could give to me,
Give it to Your enemies;
Whatever share of the next world
You want to give to me,
Give it to Your friends.
You are enough for me.


O Lord,
If I worship You
From fear of Hell, burn me in Hell.


O Lord,
If I worship You
From hope of Paradise, bar me from its gates.


But if I worship You for Yourself alone
Then grace me forever the splendor of Your Face.


Rabi´a al-Adawiyya, translation by Andrew Harvey and Eryk Hanut - 'Perfume of the Desert'


Shaikh Abu Saeed Abil Kheir (Abu Sa'id ibn Ab'il Khair ) (967 - 1049 ce) referring to himself as "nobody, son of nobody" he expressed the reality that his life had disappeared in the heart of God. This revered Persian Sufi mystic from Khorasan preceded the great poet Jalaluddin Rumi by over two hundred years on the same path of annihilation in Love.


Until you become an unbeliever in your own self,
you cannot become a believer in God.


Shaikh Abu-Saeed Abil-Kheir - 'Nobody, Son of Nobody' - Vraje Abramian


If you are seeking closeness to the Beloved,
love everyone.
Whether in their presence or absence,
see only their good.
If you want to be as clear and refreshing as
the breath of the morning breeze,
like the sun, have nothing but warmth and light
for everyone.


Shaikh Abu-Saeed Abil-Kheir - 'Nobody, Son of Nobody' - Vraje Abramian


Beloved, show me the way out of this prison.
Make me needless of both worlds.
Pray, erase from mind all
that is not You.


Have mercy Beloved,
though I am nothing but forgetfulness,
You are the essence of forgiveness.
Make me needless of all but You.


Shaikh Abu Saeed Abil Kheir - "Nobody, Son of Nobody" - Vraje Abramian


Piousness and the path of love
are two different roads.
Love is the fire that burns both belief
and non-belief.
Those who practice Love have neither
religion nor caste.


Shaikh Abu Saeed Abil Kheir - "Nobody, Son of Nobody" - Vraje Abramian

Be humble.
Only fools take pride in their station here, trapped in
a cage of dust, moisture, heat and air.
No need to complain of calamities,
this illusion of a life lasts but a moment.


Shaikh Abu Saeed Abil Kheir - "Nobody, Son of Nobody" - Vraje Abramian

Suppose you can recite a thousand holy
verses from memory.
What are you going to do
with your ego self, the true
mark of the heretic?
Every time your head touches
the ground in prayers, remember,
this was to teach you to
put down that load of ego
which bars you from entering
the chamber of the Beloved.


To your mind feed understanding,
to your heart, tolerance and compassion.
The simpler your life, the more meaningful.
The less you desire of the world,
the more room you will have in it
to fill with the Beloved.


The best use of your tongue
is to repeat the Beloved's Name in devotion.
The best prayers are those in
the solitude of the night.
The shortest way to the Friend
is through selfless service and
generosity to His creatures.


Those with no sense of honor and dignity are best avoided.
Those who change colors constantly
are best forgotten.
The best way to be with those
bereft of the Beloved's qualities,
is to forget them in the
joy of silence in one's corner of solitude.


Shaikh Abu Saeed Abil Kheir - "Nobody, Son of Nobody"

Drink from this heart now,
for all this loving it contains.
When you look for it again,
it will be dancing in the wind.


Shaikh Abu Saeed Abil Kheir - "Nobody, Son of Nobody" - Vraje Abramian


Let sorrowful longing dwell in your heart,
never give up, never losing hope.
The Beloved says, "The broken ones are My darlings."
Crush your heart, be broken.


Shaikh Abu Saeed Abil Kheir - "Nobody, Son of Nobody" - Vraje Abramian


If you do not give up the crowds
you won't find your way to Oneness.
If you do not drop your self
you won't find your true worth.
If you do not offer all you
have to the Beloved,
you will live this life free of that
pain which makes it worth living.


Shaikh Abu Saeed Abil Kheir - "Nobody, Son of Nobody" - Vraje Abramian


Sheikh Sultan Bahu (1628 - 1691 ce) belonged to the Qadiri Order of Sufis and is known by the title of Sultan-ul-Arifin (king of the Gnostics). Born in the Soon Valley, he wrote in both Persian and Punjabi, and is regarded as one of the most prominent Sufi poets of the Indo-Pak subcontinent.




Those who have not realized God will wander,
homeless in this world, destitute in the next.
But watch the lovers dance with ecstasy,
as they merge into the oneness of God [Allah].


Sultan Bahu, translated by J.R. Puri and K.S. Khak


The river of oneness has surged,
quenching the thirst of the deserts and wastelands.
If you don't nurture God's love in your heart,
you will be dry and parched like those deserts.


Sultan Bahu, translated by J.R. Puri and K.S. Khak


The Lord is an ocean of oneness
in which lovers swim as they please, free of care.
In their own turn, they appear in the world
to dive deep into that ocean, to gather pearls.
Among the pearls is a gem --
unique in value, unmatched in lustre --
that shines like the moon.
We are all in the employ of the Lord, O Bahu;
let us pay homage to him through our prayers.


Sultan Bahu, translated by J.R. Puri and K.S. Khak

Repeat the Name of God,
and always contemplate on Him
while doing your repetition --
keener than a sword is such remembrance [Zikhr, Simran].


Sultan Bahu, translated by J.R. Puri and K.S. Khak


Repeat the Name of God, O Bahu,
and free yourself from the worries of life.


Sultan Bahu, translated by J.R. Puri and K.S. Khak


 Those who enshrine the Lord in their hearts, O Bahu,
have both the worlds at their command.


Lovers remain completely intoxicated
in the ecstasy of their love for the Beloved.
They offer their souls to the Beloved
while still living
and thus immortalize themselves
in this life and the hereafter.


Sultan Bahu, translated by J.R. Puri and K.S. Khak


Muhammed Ibn 'Ali Ibn 'Arabi (1165 - 1240 ce) Known as Muhyiddin (the Revivifier of Religion) and the Shaykh al-Akbar (the Greatest Master), he was born into the Moorish culture of Andalusian Spain and traveled widely throughout the Islamic countries.


O Marvel! a garden amidst the flames.
My heart has become capable of every form:
it is a pasture for gazelles and a convent for Christian monks,
and a temple for idols and the pilgrim's Kaa'ba,
and the tables of the Torah and the book of the Quran.
I follow the religion of Love: whatever way Love's camels take,
that is my religion and my faith.


ibn al-`Arabi, Tarjuman al-Ashwaq, in The Mystics of Islam, translated by Reynold A Nicholson


All that is left
to us by tradition
is mere words.


It is up to us
to find out what they mean.


ibn al-`Arabi, Tarjuman al-Ashwaq, in The Mystics of Islam, translated by Reynold A Nicholson


 Were it not for
the excess of your talking
and the turmoil in your hearts,
you would see what I see
and hear what I hear!


ibn al-`Arabi, Tarjuman al-Ashwaq, in The Mystics of Islam, translated by Reynold A Nicholson


When my Beloved appears, With what eye do I see Him? With His eye, not with mine, For none sees Him except Himself.


ibn al-`Arabi, Tarjuman al-Ashwaq, in The Mystics of Islam, translated by Reynold A Nicholson


Baba Kuhi of Shiriz, a Persian dervish-poet who died around 1050 ce: (see also a brief essay Eyes of the Heart)


In the market, in the cloister--only God I saw.
In the valley and on the mountain--only God I saw.
Him I have seen beside me oft in tribulation;
In favour and in fortune--only God I saw.
In prayer and fasting, in praise and contemplation,
In the religion of the Prophet--only God I saw.
Neither soul nor body, accident nor substance,
Qualities nor causes--only God I saw.
I oped mine eyes and by the light of His face around me
In all the eye discovered--only God I saw.
Like a candle I was melting in His fire:
Amidst the flames outflashing--only God I saw.
Myself with mine own eyes I saw most clearly,
But when I looked with God's eyes--only God I saw.
I passed away into nothingness, I vanished,
And lo, I was the All-living--only God I saw.


Baba Kuhi, in The Mystics of Islam, translated by Reynold A Nicholson

Husayn ibn Mansur al-Hallaj known as al-Hallaj (the wool-carder), he was put to death in Baghdad for having uttered ana 'l haqq (I am the Truth):


I am He whom I love,
and He whom I love is I:
We are two spirits
dwelling in one body.
If thou seest me,
thou seest Him,
And if thou seest Him,
thou seest us both.


al-Hallaj, Kitab al-Tawasin, in The Mystics of Islam, by Reynold A Nicholson


 Thy Spirit is mingled in my spirit
even as wine is mingled with pure water.
When anything touches Thee,
it touches me.
Lo, in every case Thou art I!"


al-Hallaj, Kitab al-Tawasin, in The Mystics of Islam, by Reynold A Nicholson


Amir Khusrau (1253 - 1325 ce ) Indian Sufi mystic, musician, poet and scholar. He was a spiritual disciple of Nizamuddin Auliya of Delhi, and is one of the most beloved poets of the Chishti Sufi lineage.


Love came and spread like blood in my veins and the skin of me,
It filled me with the Friend and completely emptied me.
The Friend has taken over all parts of my existence,
Only my name remains, as all is He.


 Moinuddin Chishti (1141 - 1230 ce) born in Khorasan. A widely beloved Persian spiritual leader who carried the Chishti lineage to India.


The noise of the lover is only up to
the time when he has not seen his Beloved.
Once he sees the Beloved, he becomes calm and quiet,
just as the rivers are boisterous before they join the ocean,
but when they do so, there are becalmed forever.


The one who knows becomes perfect only when
all else is removed from in-between him and the Friend.
Either he remains or the Friend.


Hazret-i Uftade (1490-1580 ce) Mehmed Muhyiddin Üftade was a widely revered Turkish saint, and founder of the Jelveti order of Sufis who emphasized the return into the midst of society after learning to overcome the lower-self.


If you desire the Beloved, my heart,
Do not cease to pour out lamentations.
Observing His existence, reach annihilation!
Say “Oh He and You who is He”.


Let tears of blood pour from your eyes
May they emerge hot from the furnace
Say not that he is one of you or one of us
Say “Oh He and You who is He”.


Let love come that you may have a friend
Your distresses are a torrent
Sweeping you along the way to the Friend
Say “Oh He and You who is He”.


Take yourself up to the heavens
Meet the angels
And fulfill your desires
Say “Oh He and You who is He”.


Pass beyond the universe, this [unfurled] carpet
Beyond the pedestal and beyond the throne
That the bringers of good tidings may greet you
Say “Oh He and You who is He”.


Remove your you from you
Leave behind body and soul
That theophanies may appear
Say “Oh He and You who is He”.


Pass on, without looking aside
Without your heart pouring forth to another
That you may drink the pure waters
Say “Oh He and You who is He”.
If you desire union with the Beloved
Oh Uftade! Find your soul
That the Beloved may appear before you
Say “Oh He and You who is He”.


Other Mystical Poetry:


When the soul is plunged in the fire of divine love, like iron, it first
loses its blackness, and then growing to white heat it becomes like
unto the fire itself. And lastly, it grows liquid, and, losing its nature, is
transmuted into an utterly different quality of being. And as the difference
between iron that is cold and iron that is hot, so is the difference between
soul and soul, between the tepid soul and the soul made incandescent by
divine love.


Richard of St. Victor - de Quattuor Gradibus Violentae Charitatis

God speaks to each of us as he makes us,
then walks with us silently out of the night.


These are words we dimly hear:


You, sent out beyond your recall,
go to the limits of your longing.
Embody me.


Flare up like flame
and make big shadows I can move in.


Let everything happen to you: beauty and terror.
Just keep going. No feeling is final.
Don't let yourself lose me.


Nearby is the country they call life.
You will know it by its seriousness.


Give me your hand.


Rainer Maria Rilke
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Thursday, November 17, 2011

Baul / Madcap's

                                                                               
Baul is not just one of the many things unique to Bengal. This wandering music cult has a special place in the history of world music. The word "Baul" has its etymological origin in the Sanskrit words "Vatula" (madcap), or "Vyakula" (restless) and used for someone who is "possessed" or "crazy".

Originally, the Bauls were nonconformist who rejected the traditional social norms to form a distinct sect that upheld music as their religion. "Baul" is also the name given to the genre of folk music developed by this creative cult. It's easy to identify a Baul singer from his uncut, often coiled hair, saffron robe (alkhalla), necklace of beads made of basil (tulsi) stems, and of course the single-stringed guitar (ektara). Music is their only source of sustenance: They live on whatever they are offered by villagers in return, and travel from place to place, as it were, on a vehicle of ecstasy.


Music of the Heart!
Bauls croon from their hearts and pour out their feelings and emotions in their songs. But they never bother to write down their songs. Theirs is essentially an oral tradition, and it is said of Lalan Fakir (1774 -1890), the greatest of all Bauls, that he continued to compose and sing songs for decades without ever stopping to correct them or put them on paper. It was only after his death that people thought of collecting and compiling his rich repertoire.

Baul Themes
The theme that Bauls deal with in their lyrics is mostly philosophical in the form of allegories on the state of disconnect between the earthly soul and the spiritual world. Often they philosophize on love and the many-splendoured bonds of the heart, subtly revealing the mystery of life, the laws of nature, the decree of destiny and the ultimate union with the divine.

A Musical Community
Bauls live like a community, and their main occupation is the propagation of Baul music. But they are the most non-communal of all communities: They have no religion, for they only believe in the religion of music, brotherhood and peace. Predominantly a Hindu movement, the Baul philosophy weaves together different Islamic and Buddhist strains as well.


Baul Gadgets
Bauls use a variety of indigenous musical instruments to embellish their compositions. The "ektara", a one-stringed drone instrument, is the common instrument of a Baul singer. It is the carved from the epicarp of a gourd, and made of bamboo and goatskin. Other commonly used musical paraphernalia include "dotara", a multi-stringed instrument made of the wood of a jackfruit or neem tree; "dugi", a small hand-held earthen drum; leather instruments like "dhol", "khol" and "goba"; chime tools like "ghungur", "nupur"; small cymbals called "kartal" and "mandira", and the bamboo flute.

Baul Country
Originally, the district of Birbhum in West Bengal was the seat of all Baul activity. Later the Baul domain stretched to Tripura in the north, Bangladesh in the east, parts of Bihar and Orissa in the west and south respectively. In Bangladesh, the districts of Chittagong, Sylhet, Mymensingh and Tangyl are famous for Bauls. Bauls from far off places come to participate in the Kenduli Mela and the Pous Mela - the two most important fairs held in West Bengal for Baul music. It's hard to think of Bengali culture sans the Bauls. They're not only an intrinsic part of Bengal's music, they're in the mud and air of this land, they're in the mind and blood of it's people. The spirit of the Bauls is the spirit of Bengal - ever-flowing in its society and culture, literature and art, religion and spirituality.


Baul Gadgets
Bauls use a variety of indigenous musical instruments to embellish their compositions. The "ektara", a one-stringed drone instrument, is the common instrument of a Baul singer. It is the carved from the epicarp of a gourd, and made of bamboo and goatskin. Other commonly used musical paraphernalia include "dotara", a multi-stringed instrument made of the wood of a jackfruit or neem tree; "dugi", a small hand-held earthen drum; leather instruments like "dhol", "khol" and "goba"; chime tools like "ghungur", "nupur"; small cymbals called "kartal" and "mandira", and the bamboo flute.

Baul Country
Originally, the district of Birbhum in West Bengal was the seat of all Baul activity. Later the Baul domain stretched to Tripura in the north, Bangladesh in the east, parts of Bihar and Orissa in the west and south respectively. In Bangladesh, the districts of Chittagong, Sylhet, Mymensingh and Tangyl are famous for Bauls. Bauls from far off places come to participate in the Kenduli Mela and the Pous Mela - the two most important fairs held in West Bengal for Baul music. It's hard to think of Bengali culture sans the Bauls. They're not only an intrinsic part of Bengal's music, they're in the mud and air of this land, they're in the mind and blood of it's people. The spirit of the Bauls is the spirit of Bengal - ever-flowing in its society and culture, literature and art, religion and spirituality.


The Baul Influence
Who can't trace the influence of Baul songs in Tagore's Rabindra Sangeet? The mystical nature of Tagore's lyrics is also a product of his affinity to these wandering bards. Edward Dimock Jr. in his The Place of the Hidden Moon (1966) writes: "Rabindranath Tagore put the Bauls on a higher-than-respectable level by his praise of the beauty of their songs and spirit, and by his frank and proud acknowledgement of his own poetic debt to them." The Baul pattern also inspired many other successful poets, playwrights and songwriters of the 19th and 20th centuries.

Eternal Entertainers
Bauls are bards, composers, musicians, dancers and actors all rolled into one, and their mission is to entertain. Through their songs, pauses, gestures, and postures, these nomadic mendicants spread the message of love and ecstasy to lands far and wide. In a land devoid of mechanical entertainment, Baul singers were a major source of entertainment.

People still love to watch them sing and dance, their narration of folk tales, and even commentary on contemporary issues through highly melodious songs and an extraordinarily high-pitched rendition. Although their lyrics speak the language of the village folks, their songs are appealing to one and all. The songs are simple and direct, profusely


emotional, enjoyable, and needs no special knowledge for appreciation.

Baul King!
Lalan Fakir is considered the greatest Baul artiste of all ages, and all other later Bauls regard him as their guru, and sing songs composed by him. Among the contemporary Baul singers, the names of Purna Das Baul, Jatin Das Baul, Sanatan Das Baul, Anando Gopal Das Baul, Biswanath Das Baul, Paban Das Baul, and Bapi Das Baul are prominent. Purna Das Baul is undisputedly the reigning king of the Baul clan today. His father, the late Nabani Das "Khyapa", was the most famous Baul of his generation, and Tagore conferred upon him the title "Khyapa", meaning "wild". Purna Das was induced into the folds of the Baul music from his early childhood, and at the tender age of seven, his song won him a gold medal at a music conference in Jaipur.

India's Bob Dylan!
Referred to as the Baul Samrat, Purna Das Baul, introduced Baul songs to the West during an eight-month tour of the US in 1965 with stars like Bob Dylan, Joan Baez, Paul Robeson, Mick Jagger, Tina Turner, et al. Dubbed "India's Bob Dylan" by the New York Times in 1984, Purna Das Baul has played with Bob Marley, Gordon Lightfoot and Mahalia Jackson and the likes.

Baul Fusion
 Along with sons Krishnendu, Subhendu and Dibyendu, Purna Das Baul is planning a special tour of the US, intended to reunite an array of top stars around Baul music. Their fusion band 'Khyapa' is all set to unveil their Baul fusion at the US folk-rock-jazz-reggae fest in 2002. Then there is the grand tour of the US and Japan with concerts in New Jersey, New York City and Los Angeles. Purna Das is also hoping to rope in Mick Jagger to sing Baul gaan in Bengali on stage and on record. 'Khyapa' is also optimistic about a show with Bob Dylan, the long-time friend of Baul gaan.

Global Bauls!
Earlier this year, the famous French Theatre de la Ville invited the global Baul band 'Baul Bishwa' group at its Musiques de Monde (the World Music) meet in Paris. Led by Bapi Das Baul, an eighth generation baul artiste, the group has performed at several places around the world. In this context, the collaborative effort of Paban Das Baul and the British musician Sam Mills ("Real Sugar") to produce Baul fusion music for a global audience is discernable. Did you know that Paban Das's music has also been used by Microsoft to represent the music of Bengal in its World CD-ROM Atlas?

Is It Fair?
 However, such efforts to globalize Baul music are being vehemently criticized by the detractors of Purna Das Baul for allegedly deracinating the Baul heritage. But don't you think this is a natural course in the evolution of Baul music - a step that needs to keep the tradition alive and kicking? 

                                                   Don't Be Lazy ! Be A Crazy ! ;) :D
                                                                             


                                                                                 

Tuesday, November 15, 2011

Mujhe Dard Chahiye



Duniya Mangti Hain Haazaron Khushiyan
Karti Hain Mehnat Khushi se Jineh Ke liyeh
Lekin Meri Yeh Jo Dil Hain Bawrah
Tarasti Hain Deed-e- Ashq Pine Ke Liyeh

Log Kahenge Yeh Kaisa Hain Dewana
Jo Na Jane Jineh Ka Bahana
Jo Na Samjhe Mauj Ki Masti
Na Aata Hain Isse Khusiyan Manana

Lekin Kaise Khushiyan Manaye Hum
Jab Jalte Hain Samne Kisike Armano Ki Chitah
Koi Ghum-e-Dil Bhulne Ke Liyeh
Sar-e-Aam Hoke Sharabi Badnam-e-Jam  Pitah

Kisiko Dekhti Hoon Hasti Hain Zor Se
Duba Ke Rakkha Khud Ko Befizul Shor Se
Ussi Ka Shayed Na Mitah Dard-e-Raat Kavi
Jo Khud Ko Pishwa Rahin Hain Paheli Kiran Ki Bhor Se

Aur Kavi Dekha Main Sarko Pe Jaate Jaate
Kisi Ajnabi Gali Ke Kone Mein Khari Hain Sita
Ho Rahin Hain  Halal Ram Ke Vesh Mein Ravan Ke Haath
Wohi Ravan Jo Har Satsang mein Jake Sunte Hain Zuban-e-Gita

Mujhe Na Dena Pareh Kisiko 
Anchahe Khud Parastish ke Dard
Logon Se Mohabbat Kar Saku Dil Se 
Bass Itni Si Hain Meri Fariyaad 

Lauta Saku Har Yakeen Ka Udhari
Mujhe Itni Si Khudah Ada Kar De Karz
Meri Lahu Se Saje Kisi Lachar Ki Rangoli
 Niva Saku Main Itni Si Farz

Duniya Roz Ganga Mein Dubki Lagaye
Dhote Hain  Apni Badan Ki Paap Ki Raakh
Hum Toh Mehsus Kiya Yun ke
 Khun Se Jalti Hui Naino Ke Tarapti Aasu
Shayed Hote Hain Ganga Se Vi Paak

Har Zakhmi Dil ko Aaram Ho Khudah
Hame Aisi Marz Chahiye 
Tumhare Jaise Sahe Sake Sitam
Mujhe Tumhare Jaise Hi Dard Chahiye  

       GIVE ME SOME PAIN !!! :-)
                                                                            M-e-Z

                                                                                   




Sunday, November 13, 2011

Robbery To Ramayana - Journey of A Wise Man

                                                                               
Valmiki (Sanskrit: वाल्मीकि, vālmīki) (during Lord Rama's time) is celebrated as the poet harbinger in Sanskrit literature. He is the author of the epic Ramayana, based on the attribution in the text of the epic itself. He is revered as the Adi Kavi, which means First Poet, for he discovered the first śloka i.e. first verse, which set the base and defined the form to Sanskrit poetry. The Yoga Vasistha is attributed to him. The religious movement Valmikism is based on Valmiki's teachings as presented in the Ramayana and the Yoga Vasistha.
At least by the 1st century AD, Valmiki's reputation as the father of Sanskrit classical poetry seems to have been legendary. Ashvagosha writes in the Buddhacarita:
"The voice of Valmiki uttered poetry which the great seer Chyavana could not compose."
This particular verse has been speculated to indicate a familial relationship between Valmiki and Chyavana, as implied by the previous and subsequent verses.


Early life
Valmiki was the son of Brahmin Sumali. His birth name was Agni Sharma.When everyone left to travel south Brahmin Sumali took his son and wife and moved near the bank of Betwa River(Northern India) The Uttara Khanda tells the story of Valmiki's early life, as an unnamed highway robber who used to rob people before killing them. Other versions name him Valya Koli. Robbing people who passed by was the only source of money for him.

How he became Valmiki

One day Rishi Atri (Narada Muni) was passing by that way when he ran into Agni Sharma, who insisted them to give everything they own. From their clothing to the shoes they were wearing. Rishi Atri asked Agni Sharma why he was commiting this sin. Agni Sharma answered that this was the only way to provide food for his family. Rishi Atri asked him if his family was part of this sin that he was commiting and he told him to go ask his family that same question. Agni Sharma made Rishi Atri stay in that same spot until he was back. When Agni Sharma asked his parents if they were with him on the sin that he was doing, they replied that it was his job to take care of them. And that he was only responsible for his own sins. His wife also said the same thing. Agni Sharma then returned to Rishi Atri and fell to his feet. He told him that he alone was responsible for the sins and asked him to help him get rid of the sins he had commited. Rishi Atri told him to repeat Lord Ramas name and that would assist him. Rishi Atri left for a pilgrimage and when he returned back he found an anthill growing around Agni Sharama. He was shocked and helped him out of the anthill. He then named him Valmiki (meaning 'anthill' in Sanskrit).

Writer of the Ramayana


The Rāmāyaṇa, originally written by Valmiki, consists of 24,000 verses in seven cantos (some say six i.e. excluding the Uttara Ramayana) (kāṇḍas). The Ramayana tells the story of a prince, Rama of Ayodhya, whose wife Sita is abducted by the demon (Rākshasa) king of Lanka, Rāvana. The Valmiki Ramayana is dated variously from 500 BC to 100 BC, or about co-eval with early versions of the Mahabhārata. As with many traditional epics, it has gone through a long process of interpolations and redactions, making it impossible to date accurately.

Notwithstanding the aforesaid, it is pertinent to note that Valmiki is also quoted to be the contemporary of Rama. Rama met Valmiki during his period of exile and had interacted with him. Valmiki had Sita in his hermitage where Kusa and Lava were born to Sita. Valmiki taught Ramayana to Kusa and Lava, who later sang the divine story in Ayodhya during the Aswamedha yaga congregation, to the pleasure of the audience, whereupon, King Rama summoned them to his royal palace. Kusa and Lava sang the story of Rama there, and Rama confirmed that whatever had been sung by these two children was entirely true.

With this backdrop, it needs review to establish the period of Valmiki, likely to date back to thousands of years, as Krishna incarnation followed Rama's.



The first śloka

Valmiki was going to the river Ganga for his daily ablutions. A disciple by the name Bharadwaja was carrying his clothes. On the way, they came across the Tamasa Stream. Looking at the stream, Valmiki said to his disciple, "Look, how clear is this water, like the mind of a good man! I will bathe here today." When he was looking for a suitable place to step into the stream, he heard the sweet chirping of birds. Looking up, he saw two birds flying together. Valmiki felt very pleased on seeing the happy birds. Suddenly, one of the birds fell down, hit by an arrow; it was the male bird. Seeing the wounded one, its mate screamed in agony. Valmiki's heart melted at this pitiful sight. He looked around to find out who had shot the bird. He saw a hunter with a bow and arrows, nearby. Valmiki became very angry. His lips opened and he uttered the following words:

मां निषाद प्रतिष्ठां त्वमगमः शाश्वतीः समाः। यत्क्रौंचमिथुनादेकम् अवधीः काममोहितम्॥'
mā niṣāda pratiṣṭhāṁ tvamagamaḥ śāśvatīḥ samāḥ
yat krauñcamithunādekam avadhīḥ kāmamohitam
You will find no rest for the long years of Eternity
For you killed a bird in love and unsuspecting

Emerging spontaneously from his rage and grief, this was the first śloka in Sanskrit literature. Later Valmiki composed the entire Ramayana with the blessings of Lord Brahma in the same meter that issued forth from him as the śloka. Thus this śloka is revered as the "first śloka" in Hindu literature. Valmiki is revered as the first poet, or Adi Kavi, and the Ramayana, the first kavya.

His first disciples to whom he taught the Ramayana were Kusa and Lava, the sons of Rama. 



A courtesy Of Wikipedia.Com 


                                                            SO IF HE CAN , WHY NOT US ???? 
                                                                                           :-) .

                                                                                         

Friday, November 11, 2011

GOD or ?????

                                                                                      

Erich von Däniken 

Born on April 14th, 1935, in Zofingen, Switzerland, Erich von Däniken was educated at the College St-Michel in Fribourg, where already as a student he occupied his time with the study of the ancient holy writings. While managing director of a Swiss 5-Star Hotel, he wrote his first book, Chariots of the Gods, which was an immediate bestseller in the United States, Germany, and later in 38 other countries.

In the United States, Erich von Däniken won instant fame as a result of the television special "In Search of Ancient Astronauts," based upon his first book. In 1993, the German television station SAT-1 started a twenty-five part TV series with and by Erich von Däniken, entitled "Auf den Spuren der All-Mächtigen" (Pathways of the Gods). In 1996, the American TV company ABC/Kane produced a one-hour special, filmed all over the world, entitled Chariots of the Gods - The Mysteries Continue. This film was broadcast on the ABC network on September 26th 1996. In 1996/97 ABC/Kane produced another documentary with Erich von Däniken (seen on the Discovery Channel). In Germany, the biggest TV network, RTL, showed the film on November 26th, 1996. 7,7 million viewers in Germany alone watched the program. Today, Erich von Däniken continues his filming with ABC and RTL.


Erich von Däniken just finished the manuscript of his latest book, Odyssey of the Gods, a book about Greek mythology. The book was published in May 2000 by Element Books.

Erich von Däniken's books have been translated into 28 languages, and have sold 60 million copies worldwide. From his books two full-length documentary films have been produced: Chariots of the Gods and Messages of the Gods. Of the more than 3,000 lectures which Erich von Däniken has given in 25 countries, over 500 were presented at universities. Fluent in four languages, Erich von Däniken is an avid researcher and a compulsive traveller, averaging 100'000 miles each year to remote spots of the Earth. This enables him to closely examine the phenomena about which he writes.

Erich von Däniken is a member of the Swiss writers association, the German writers association, and the International PEN-Club. He was awarded with an Honorary Doctorate degree by the State University of Bolivia. He received the "Huesped Illustre" award from the cities of Ica and Nazca in Peru. In Brasil he received the "Lourenço Filho" award in Gold and Platin, and in Germany he was awarded with the "Order of Gordon Bleu du Saint Esprit" (together with the German astronaut Ulf Merbold).

Today, Erich von Däniken lives in the small mountain-village of Beatenberg in Switzerland (40 miles from Berne, above the city of Interlaken). He has been married to Elisabeth Skaja since 1960. He has one daughter, Cornelia (born 1963), and two grandchildren. Von Däniken is a hobby-chef and a lover of Bordeaux wines.


Erich von Däniken is a member of the Swiss writers association, the German writers association, and the International PEN-Club. He was awarded with an Honorary Doctorate degree by the State University of Bolivia. He received the "Huesped Illustre" award from the cities of Ica and Nazca in Peru. In Brasil he received the "Lourenço Filho" award in Gold and Platin, and in Germany he was awarded with the "Order of Gordon Bleu du Saint Esprit" (together with the German astronaut Ulf Merbold).

Today, Erich von Däniken lives in the small mountain-village of Beatenberg in Switzerland (40 miles from Berne, above the city of Interlaken). He has been married to Elisabeth Skaja since 1960. He has one daughter, Cornelia (born 1963), and two grandchildren. Von Däniken is a hobby-chef and a lover of Bordeaux wines.


In 1998, Erich von Däniken founded the Archaeology, Astronautics and SETI Research Association , AAS RA which publishes the English journal Legendary Times™ reporting about the latest research in the Paleo-SETI field.

Chariots of the Gods -The Series is based on the books of Erich von Däniken who more than twenty years ago first presented his theory of extraterrestrial contact with the ancient world - a theory so incredible yet so logical that it has become part of a wide ranging debate that continues stronger today.
His examination of ancient ruins, forgotten texts, and other archeological anomalies points to evidence of extraterrestrial intervention in human history. Most incredible of all are von Däniken's claims that we ourselves are descendants of these galactic pioneers and that the evidence is out there to lead us to them. Chariots of the Gods follows the adventures of the team who will attempt to do just that.


Together with two committees he is currently building a fantastic theme park "Mysteries of the World". Erich von Däniken is the founder of the committees and also the vice president of the joint-stock company. The opening date has been set for May 24, 2003.

In 1998, Erich von Däniken founded the Archaeology, Astronautics and SETI Research Association , AAS RA which publishes the English journal Legendary Times™ reporting about the latest research in the Paleo-SETI field.

Chariots of the Gods -The Series is based on the books of Erich von Däniken who more than twenty years ago first presented his theory of extraterrestrial contact with the ancient world - a theory so incredible yet so logical that it has become part of a wide ranging debate that continues stronger today.
His examination of ancient ruins, forgotten texts, and other archeological anomalies points to evidence of extraterrestrial intervention in human history. Most incredible of all are von Däniken's claims that we ourselves are descendants of these galactic pioneers and that the evidence is out there to lead us to them. Chariots of the Gods follows the adventures of the team who will attempt to do just that.
 
Together with two committees he is currently building a fantastic theme park "Mysteries of the World". Erich von Däniken is the founder of the committees and also the vice president of the joint-stock company. The opening date has been set for May 24, 2003. 

A COURTESY OF WORLD-MYSTERIES.COM






    

Katra Katra


Aur Kuch Nehi Chahiye Mujhe
Bass Ek Lambi Din Aur Ek Lambi Raat Mile
Meri Pyassi Hoth Tumhare Gulab Si Rasile
Hothon Se Rahe Ab Kuch Aise Sile

Ke Khusbu Bikhre Fizaon Mein Sare
Hamare Ishq Se Khile Sare Nazare
Tum Raho Meri Bahon Mein Samaye
Woh Pal Wo Lamha Kash Wohi Ruk Jaye

Jo Bhige Meri Aur Tumhari Palken
Do Boond Ashqkon Ke Saye
Ab Boond Boond Pighalti Sagar
Mein Janam Aao Hum Dono Dub Jaye

Janti Hoon Duniya Mein Aayi Hoon
Leke Hum Tum Udhar Ke Saashein
Bahut Rukhi Aur Sukhi Hain Dekho 
Yeh Tarapti Nichorti Nigahein 

Kuch Fassle Tumne Banaye
Kuch Duriyan Humne Banaye
Kuch Roz Hamari Shiqayet Mein Bite
Kuch Lamhe Haar ke Aaj Hum Phir Se Jeete

Kavi Badal Garza Kavi Sawan Barse
Kavi Patjhar Mein Ghume Hum Banke Dewane
Ab Na Hona Hain Judah Na Khona Hain Tumhe
Na Jane Na Muskaye Hum Kitne Zamane 

Ab Itni Si Tammana Sine Mein Jage
Ke Tumhare Yaad Mein Lipte
Woh Har Ek Pal Ko
Phir Se Hum Samet Ke Laye
Aur Zulfon Se Ghire Tumhari Bahon Meri
Aakhri Sasheen Nikal Jaye

Na Koi Darr Ho Na Koi Pardah
Na Ho Koi Samne Duniya Ki Ajnabi Khatra
Tumhari Aag-e-Ishq Mujh Mein Jalti Rahen
 Aur Meri Mom-e-Dil Phighle Katra Katra 
                                                                 
                                                             A Pray For Love :-) <3
                                                                         M-e-Z

                                                                              

Monday, November 7, 2011

Winter & Kalidasa

                                                                            
"Oh, dear with best thighs, heart-stealing is this environ with abundantly grown stacks of rice and their cobs, or with sugarcane, and it is reverberated with the screeches of ruddy gees that abide hither and thither... now heightened will be passion, thereby this season will be gladdening for lusty womenfolk, hence listen of this season, called Shishira, the Winter... 

"At this time, people enjoy abiding in the medial places of their residences, whose ventilators are blockaded for the passage of chilly air, and at fireplaces, in sunrays, with heavy clothing, and along with mature women of age, for they too will be passionately steamy... 

"Presently, not the sandal-paste, which will be coolant like moonbeams of moon, nor the building tops, that were once rendered pleasant with the immaculate moonshine, nor the breezes, that are chilled by dense sleet... any of them is delightful for the people... 

"The nights are unenjoyable for the people, for they are chilled with the huddles of snow, and further chilled by moonbeams of the moon, besides, these nights are ornamented very whitish clusters of cluttered and lacklustre stars...

"On taking betel leaves and their enclosing material like lime and areca-nut parings, and other fragrant material for chewing, and even handling body creams and tassels of flowers, for it is cool to wear them on, and with their lotus-like faces that are fragranced with delightful recreational drinks, the women are enthusiastically entering their bedchambers, that are desirably fragranced with the fumigation of aloe vera resin...

"On entering bedchambers seen are the irritant husbands irritating for the arrival of their wives, but once these husbands were at fault and they were daunted repeatedly earlier, hence they are now wavery, for their hearts are ciphered by their hesitation, and on looking at such husbands, who are now longing for lovemaking, the lustful women are overlooking their faults, lest time and opportunity fritters away... thus this season unites couples, though they are at loggerheads...



"The women that are new to adulthood are relentlessly gratified for a long time in longish nights, by young men who are muchly impassioned and lusting for their women, thus these young women after the end of night are moving about sluggishly in the morning, with their aching busts that are strained during last night's escapade... 

"The womenfolk's breasts are tightly bound by breast-bands thus they are squeezy, and on them the upper fringe of their colourful silk wraparound is wrapped, and such busts are ornamented, and in their hairdo interposed are flowers, thus those women are delightful and it appears that they themselves are embellishing the wintry season as its ornaments...

"Nowadays the chests of lustful men are ocherish for they are rubbed against bosoms of their flirtatious women, whose busts are adorned with vermilion coloured skincare, and which young women are befitting for a comfortable close self-indulgence, for they are new to adulthood, and have warmish bosoms, and the men are sleeping while overly pressing the bosoms of their ladyloves against their own, thus the men are brazening out the chilling coldness of winter, and thus the women of age have an edge on the frostiness of this season...

"In nights the gladdened women of age, desirous of lovemaking are consuming best, heart-stealing, excitant, and stimulant hard drinks along with their lovers, in which drinks lotus petal are placed for fragrance, and which lotus petals are undulated by the richly scented lusty suspirations of those women...

"In the morning, one woman on getting rid of her penchant of passion, examined her own body, and observed that her nipples are subdued by her lover's embrace, and thus concluding that her body is completely enjoyed by her lover, she is going out of the bedchamber to another chamber, laughingly ...



At dawn, another charmingly delightful and attractive woman, whose rumps are heavy and whose waistline is slender, on joggling the ends of her slithered hair plaits from which discarded are the circlets of flowers, that adorned her bun last night but now withered, and on furling up that hair which is fragrant, for it was fumigated with the resin of aloe vera during last night, is leaving the bed...

"With their discoid faces that look like golden lotuses, cleansed just with water, and with their wide and medially whitish eyes, whose edges touch the edges of ears, and with their just cleansed hair dangling and clasping their shoulders, those women of age are snugly in the heart of their houses in these days, and they appear to be many a personified prosperity, Goddess Lakshmi-s, amidst Her golden lotuses...

"Other women of age, uneasy with the weight of their beamy behinds, a little bent down at waist by the weight of their breasts, which weight of breasts and behinds is making them to walk slowly and slowly, but they are quickly disrobing themselves of their night-time and love-time getups, and enrobing themselves with the getups befitting for daytime...

"On observing the areas of their bosoms that are puckered at their tops with edges of nails of their lovers during last night, and while touching the teeth-cracked tender-leaf like lower lips with their tongues, those women of age are rejoicing, for all this is according to their sought-after delectation, thus they are applying makeup on their faces, at the dawn time of the sun, that rejoicingly...

"In this season, abundant are the new sugar-candies and their modified sweetmeats, new rice is relishable, juice of new sugar-cane is delightful, intensified will be the disport of lovemaking, for the self-conceit of Love-god occasions anew, but this season alone will be the cause for scorching the hearts of those that are devoid of their loved ones, and thus let this winter season be always there for your propitiousness... 



A COURTESY OF POEM HUNTER.COM