Love Rain :)

Love Rain :)

Sunday, January 13, 2013

Poush Pithey !!! :D

Makar Sankranti is one of the most auspicious occasions for the Hindus, and is celebrated in almost all parts of the country in myriad cultural forms, with great devotion, fervour and gaiety. It is a harvest festival. Makar Sankranti is perhaps the only Indian festival whose date always falls on the same day every year on. the 14th of January (with just a few exceptions when it is celebrated either on 13th or 15th of January)

Makar Sankranti is the day when the glorious Sun-God begins its ascendancy and entry into the Northern Hemisphere and thus it signifies an event wherein the Sun-God seems to remind their children that 'Tamaso Ma Jyotir Gamaya'- may you go higher & higher, to more & more Light and never to Darkness.

To Hindus, the Sun stands for knowledge, spiritual light and wisdom. Makar Sankranti signifies that we should turn away from the darkness of delusion in which we live, and begin to enjoy a new life with bright light within us to shine brighter and brighter. We should gradually begin to grow in purity, wisdom, and knowledge, even as the Sun does from the Day of Makar Sankranti.
                                                                                
In West Bengal, Sankranti, also known as Poush Sankranti named after the Bengali month in which it falls, is celebrated as a harvest festival Poush Parbon . It always falls on 14 January on the English calendar. The freshly harvested paddy along with the date palm syrup in the form of Khejurer Gur and Patali  is used in the preparation of a variety of traditional Bengali sweets made with rice flour, coconut, milk and 'khejurer gur' (palm jaggery) and known as Pithey . All sections of society participate in a three-day begins on the day before Sankranti and ends on the day after. The Goddess Lakshmi is usually worshipped on the day of Sankranti. In the Himalayan regions of Darjeeling, the festival is known as Magey Sakrati. It is distinctly associated with the worship of Lord Shiva. Traditionally, people were required to take a bath before sunrise and then commence their pooja. The food that is consumed consists primarily of sweet potatoes and various yams.
Millions of people take a dip in places like Ganga Sagar (the point where the river Ganges meets the Bay of Bengal). Ganga Sagar falls in West Bengal.


                                                                                      

Poush Sankranti is Meaningless Without the Sweet Heavenly Taste of PITHEY !!! So for all of you here are Some Recipe of Delicious Pithey :D  For My Lioness & Everybody  Enjoy !! :D  <3<3<3 .

                                                                                 

1. Patishapta
                                                                                        
                                                                                          
Preparation time: 10min
Cooking time: 25mins
Makes 10 patishapta

Ingredients:
For the filling-
  • Grated Coconut (Narkel Kora): 3cups
  • Jaggery (Gur): 1cup
  • Cardamom powder (Elaich): 1/4 teaspoon
For the crepes-
  • Wheat flour (Maida): 1cup
  • Seomlina (Suji): 1/2 cup
  • Rice flour (Chal guro): 1/2cup
  • Milk (Dudh): 1cup
  • Sunflower oil for frying
Preparation:
For the filling-
  • In a wok heat the jaggery, as it start melting add the coconut
  • Put in the cardamom powder and stir till the coconut mixes well with the jaggery
  • Cook till the coconut feels sticky
  • Take out of flame and keep aside
For the crepes
  • Add all dry ingredients together and mix well
  • Pour the milk with constant stirring to avoid lump formation, the batter should be smooth and freely flowing (add excess milk if required)
  • Heat a frying pan (preferably non-stick) and pour in 1 tablespoon on oil, spread it with a kitchen paper
  • Take a small bowl of batter and spread it evenly on the pan to make a round shape, do it quick before the batter sets
  • Place the filling lengthwise at the center of the crepe
  • Fold the crepe from both sides and wait till it turns light brown .                                                                                                                                                                             
 2.   Puli Pithey
                                                              
                                                                         
 Ingredients:
1 coconut.
1 cup sugar.
2 cup Rice flour
2 tblsp.plain flour(Maida)
1 litr milk.
10 gms raisins
10 gms cashewnut
1 tsp. cardamom powder.

Method:

1 Grate coconut and mix with sugar and cardamom powder. Mix well and keep it aside.
2.Heat a Pan and add Rice flour.Stirr for about 5 minutes. Take it out in an bowl and add plain flour to that. Now add Hot water and knead well to make a dough.

4. Make small balls from the dough, spread each ball with hand and stuff the coconut sugar mixture into it. Fold it and seal the edges so that filling doesnt come out to get the shape 
of 'Puli' as in the picture.

5. Heat a pan and add milk. boil the milk for some time so that it get reduce to half. Add sugar and cardamom powder. cook for a couple of minutes. Now add the pulies to the milk slowly.cover it and let it cook for about 15 minutes with stirring in between. Add raisins and cashew nuts. Take it out in a serving tray. Serve cold.

                                                                               



3.  Gokul Pithey
                                                                            


Make the Stuffing

Grated Coconut(I used frozen pack) ~ 2 cups
Khoya ~ 12oz almost 2 cups. Note: Ideally home made khoya/kheer is best but store bought khoya works fine.
Sugar ~ 1 cup

Heat a Kadhai.


Add coconut and sugar and lower the heat.

 
Mix the grated coconut with the sugar slightly pressing with your fingers till sugar melts and mixes with the coconut. Note: You can add add some cardamom powder. I didn't.
Now add the Khoya. Keep stirring till mixture becomes light brown and sticky. It should easily come off from the sides by now. At this point take a little of the mix and see if you can fashion a flat disc out of it. If it is too sticky you may have to cook a bit more, else you are good.
Take a little of the mix, roll a small ball between your palms and then flatten between your palms to make a disc about 1" in diameter and thickness of a 1 Rupee coin. Make equal sized discs. I made about 30.
Make the Batter

In a wide mouthed bowl add
2 Cups of AP Flour
1 tsp of Ghee
1/4 tsp of Baking Soda
Mix lightly

Now add 1 cup of Whole Milk + 1 Cup of water. Mix scraping the sides to form a batter. You will need about 1 more cup of water but add this gradually till you get a batter thick enough like a pakodi batter.
To the batter I added a generous pinch of saffron
Make the Syrup
Bring 3 cups of water 4&1/2 cups of sugar
to boil till you get a syrup of one string consistency
Add a
few drops of Kewra or Rose water to the syrup to get a sweet smell


Frying
 
Heat enough oil for deep frying in a skillet.

Dip the discs in the batter so that they are well coated. Now fry them in the hot oil like a fritter. Remove with a slotted spoon when both sides are golden brown. Dunk in the syrup and remove when they become little soft.

In one version of Gokul Pithe you can make the sugar syrup thicker and then coat the fried pithe with the syrup instead of soaking them in it.
  

                          A COURTESY OF GOOGLE .                                                     

Tuesday, January 8, 2013

Damini-- Ek Aurat/ A Women


Ek Aurat Hu Main
Tum  Jise Kahete Ho 
Bahen Ya Bibi Ya Toh 'Ma'
Haan Ussi Ki Zaat Se Hu 
Jee Haan Ek Aurat Hoon Main

Main Hoon Woh Kokh Tumhari
Jahan Duniya Mein Aane Se Pahele
Maine Tumhe Dus Mahine Bahut Pyar Se Sicha 
Tumhari Zaat Se Koi Tha Ek Insaan
Jisne Tumhe Lane Ke Liyeh Iss Duniya Mein
Mujhse Kiya Tha Shaadi 
Kavi Woh Pesh Aaya Mujhse Mohabbat Se
Aur Kavi Kiya Apni Khusi Se Zabardasti Sang Mere
Haan Wohi Jise Tum Kahete Ho Pitah

Maine Diya Tumhe Tumhari Pahechan
Koun Hain Tumhari Pitah Aur Sansar Ka Gyan
Maine Tumhe Pilayi Apni Sine Ki Doodh
Har Pal Sambhala Tumhe Jab Tum The Nadan
Main Thi Tumhari Tanhai Aur Ghum Ke Baisakhi
Main Thi Tumhari School Mein Khel Ki Sathi 
Maine Tumhe Sardi Mein Bunke Pahenai Sweater
Maine Har Saal Tumhare Kalai Mein Bandhi Thi Rakhi

Ab Tum Ho Gaye Ho Jawan
Meri Dhoodh Ki Taqat Ban Gayi 
Tumhari Khoon Ki Garmi
Ussi Dhoodh Ki Jagah Ab Tumhe
Dikhai Dete Hain Meri Staan (Bosom)
Meri Jism Ko Dekhte Ho Tum Kured Kured Ke
Der Raat Kisi Movie Ya Site Pe
Wohi Jise Log Kahete Hain 
"For Adults Only" Ya Toh Phir Porn

Tum Mujhe Chuna Chahte Ho
Lekin Mujhe Pahechan Dene Se
Tumhe Hoti Hain Zimmedari Ka Darr
Aur Jab Bukh Ke Mare Ya Toh Phir Lachari Mein
Main Kudhko Bechti Hoon Sarkon Par
Jahan Main Khud Hi Dalal Aur Khud Hi Hoon Halal
Tum Mujhe Dete Ho Gaali Kaheke "Randi"
Aur Guzar Jate Hoon Mere Jismon Se Hoke Befiqar

Yeh Maat Socho Ke Main Tumse 
Kar Rahin Hoon Koi Siqayet
Na Mujhe Zarurat Hain Kisi 
Court Mein Kanoon Ki Sahara
Na Main Dena Chahti Hoon 
Tumhe Koi Fizul Ki Nassihat

Tumne Toh Meri Izzaat Ko Luta Hain
Paanch Patiyon Ke Samne
Jahan Main Hoon Mohra Chousar Ki Khel Ka
Tum Rajwaron Ki Daoon Hoon 
Main Kimat Hoon Tumhari Andhe Abhimaan Ka

Mujhe Tum Urra Le Jate Ho Kahin
Anpi Hawas Ki Shikar Banane Ke Liyeh
Phir Mujhe Hi Karna Parhta Hain Khudkushi
Dena Parhta Hain Mujhe "Agnipariksha"
Tum Jaanta Mujhe Phir Dete Ho Izzaat 
Aur Mujhe Pukar Ke Kahete Ho "Sati "
Tumne Jesus Ko Paisson Ke Liyeh Shuli Pe Charhaya
Phir Tumne Hi Usko Becha Hain Bazaron Mein
Aur Mujhe Aur Meri Beti Ko Diya Andheron Mein Dhakel
Tumne Jesus Ko Bana Diya Khun Karke Shaheed 
Aur Mujhe Diya Ek Pahechaan Kaheke "Rakkhel"

Maine Kiya Jab Bhi Bagawat
Maine Jab Bhi Uthai Apna Awaz 
Dhikane Apni Hemaqat
Tumne Har Bar Kiya Hain 
Meri Cheekh Ko Dabane Ki Kosish
Na Chupa Sake Apni Badan Mein 
Sadiyon Se Chupi  Janwar-e-Ranjish
Tum Mujhe Lut Te Ho 
Anpi Jeben Bharne Ke Liyeh
Apni NaKamyabi Ya Bhuj Dili Ko 
Zabardasti Ke Chadar Mein Dhakne Ke Liyeh

Lekin Suno Tum Aye Mere Shaitan
Tum Na Ho Insan Na Hi Ho Bhagwan
Tumhare Chaalbazi Se Na Chupi Hain Na Chupegi
Main Hoon Woh Aurat Jis Ne  Sadiyon Se
Charon Orr Failake Rakkhi Hain Apni Pahechan
Jab Jab Bhagat Shing Ya Phir Gandhi Karega
Roushan Sari Duniya Mein Apni Desh Ka Naam
Tab Tab Tum Sunoge Gunjte Hue Charon Taraf Meri Naam
Jab Jab Koi Arvind Ya Vivekanand Ya Phir Bankim
Pukarega Mujhe Jassbat Se Mohabbat Se Izzaat Se
Aur Karega Mere Naam Se Bharat Desh Ko Salam
Tab Tab Parbat Ki Shikar Se Samandar Ki Laheron Se
Regis Stan Ki Reat Se Ya Phir Maidano Ki Khusbu Se
Tumhe Milegi Meri Ann Ban Aur Shaan Ki Pahechan

Jab Koi Sachin Lagayega Shatak Jab Koi Bijendra
Marega Mukka Tumhare Muh Pe 
Baandh Ke Sar Pe Mere Naam Ki Kafan
Tab Tab Tumhe Mehsus Hoga Meri Taqat-e-Zor Ki
Aur Dekho Ge Tum Apni Ghurur Ko Mitti Mein Hote Dafan 
Jab Jab Koi Rabindra Ya Abdul Ya Phir Amartya
Karega Apni Gyan Ki Prakash 
Aur Jalayega Apnii Desh Mein Deep
Tab Tab Tum Dhakoge Sharam Se Apna Muh
Woh Surat  Hoga Bepardah Jis Pe 
Tumne Dal Ke Rakkha Hain Naqab-e-Sarif

Aur Yeh Bhi Yaad Rakhna Jab Tum Ginoge
Apni Aakhri Dino Mein Chaand Lamhon Ki Shaash
Tab Tumhe Yaad Aaungi Main Har Pal
Aur Jab Tum Banoge Chitah Ki Rakh
Yah Phir Log Dalega Mitti Tumhare Badan Mein
Tab Tum Meri Badan Pe Baheke Moksh Ko Pao Ge
Ya Phir  Apne Kabr Ke Niche Mere Hi Kokh Pe
 Tum Sukun Ki Nind Sou Rahe Ho Ge

M-e-Z 
   
                                                     A TRIBUTE TO DAMINI
                                             AN ANOTHER VICTIM OF BARBARISM 
                                                   OF DELHI RAPE & MURDER
                                     A SALUTE & TRIBUTE TO YOUR COURAGE DAMINI
                                                         BANDE MATARAM


                                                                         
 


Saturday, January 5, 2013

Dhun-e-Dharti


 Main Sunti Hoon
Roz Sunti Hoon
Dhune Dharti Ke Dhune
Jo Na Hain Suna Maine Kavi
Har Din Naye Saazein Ansune
Main Sunti Hoon
Roz Sunti Hoon 
Dharti Ke Dhune

Main Raheti Hoon Door
Bahut Door Barfile Paharon Se
Main Raheti Door
Bahut Door Regis Stan Ki
Dewane Banzaron Ki Kafile-e-Karavano Se
Main Raheti Hoon Door
Bahut Door Kisi Benam Jangal Ki 
Khusbu Se Bhari Gulistano Se 
Phir Vi  Yeh Sarein Pass Hain Mere
Hamesha Inn Aakhon Ke Samne
Kisi Canvas Mein Rangi Nayi Tasbeer Ke Jaise

Kavi Kavi Bekhayali Mein
Yeh Tasbeerein Mujhse Baatein Karti Hain
Shor Mein Hazaron Ki Bheer Mein
Mujhe Bilkul Ek Anjaan Shaqs
Aur Ek Ajeeb Si Haal Mein Tanha Kar Jati Hain
Yeh Saach Hain Yah Shayad Khayal Hain
Jo Bhi Hain Yeh Meri Jineh Ki Misal Hain
Yeh Khayal Na Hoti Toh Main Kahan Hoti
Yeh Khowab Na Hota Toh Kabki Sou Gayi Hoti

Shayed Inn Tasbeeron Se 
Main Door Kavi Thi Hi Nehi
Meri Hosh-e-Maahol Mujhe
Inn Tasbeeron Se Door Leke Jati Hain
Lekin Woh Dhun Na Jane Roz Kahan Se Aati Hain
Mujhe Baha Ke Le Jati Hain Chup Ke Se
Bahut Mithi Hain Woh Dhun 
Thori Si Shararat Karti Hain
Rukhe Rukhe Bejan Si Panno Mein
Nazakat Ki Narmi Bharti Hain

Yun Toh Zindah Raheti Hoon
Tumhari Dum Se Saashein Bharti Hoon
Dharkan Hain Meri Dhun Hain Tumhari
Yah Khudah Tumhari Mehsus Main
Khuli Aakhon Se Aur Bhandhe Haathon Se
Har Roz Deedar-e-Khowab Mein Karti Hoon


M-e-Z
In Love of Music-of-Nature !! :D <3 <3 <3



Monday, December 31, 2012

Kalpataru -- The Wish Fullfilment Tree ! :D

 

 JANUARY 1st: THE DAY OF SRI RAMAKRISHNA'S SELF-REVELATION

Kalpavriksha  also known as kalpataru, kalpadruma and kalpapādapa, is a mythological, wish-fulfilling divine tree said to fulfill all desires. It was mentioned in Sanskrit literature from the earliest sources onwards. Sage Durvasa meditated under the Kalpavriksha.

The kalpavriksha originated during the Samudra manthan or "churning of the ocean of milk" along with the kamadhenu, the divine cow providing for all needs. The king of the gods, Indra returned with this tree to his paradise.

A kalpavriksha is mentioned in the Sanskrit work Mānāsara as a royal emblem. In Hemādri's work Caturvargacīntama, the kalpavriksha is said to be a tree of gold and precious stones.

One Kalpavriksh is believed to be have been planted by Jagadguru Shankaracharya himself at Jyotirmath, Badrinath, Uttaranchal in the cradle of the Himalayas. It has been preserved and protected by Armed forces by installing a wire mesh around the tree. The unique property of the tree is that it never loses a single leaf by itself, it is evergreen and is said to be emanating the deep seated devotion of Shankaracharya for the Supreme Godhead Vishnu.

Kalpvriksha has many spiritual, religious and environmental values. It's a divine tree on the earth planet. Himalaya Vahini is conducting mass movement to planting the sapling of Kalpvriksha at the all pilgrims like a mission, mission started from Haridwar. Due to planting world's first Kalpvriksha forest at Daksh island Kankhal, now Haridwar has been complete pilgrim. Conveyor of this mission Vijaypal Baghel is planting more and more saplings of this wish fulfiller, spiritual and endangered species around the world as a holy tree. 
         
  'Kalpataru' is a tree that finds mention in Hindu mythological texts as the wish-fulfilling tree!!! In fact, it is a very rare species of trees.

According to a report in Ranchi Express, there are only five alive 'kalpataru' trees in the world. Four of them are in Ranchi, located near Doranda college. It is sad how ignorant we are that these trees stand so neglected. Even if they are not the mythological ‘kalpatarus’, they are definitely very old, historical trees, which must have seen generations of Ranchi. Indeed, they need attention.

 
By: Dr Himanshu.
"'I shall make the whole thing public before I go,' the Master has said some time before. On January 1, 1886, he felt better and came down to the garden for a little stroll. It was about three o'clock in the afternoon. Some thirty lay disciples were in the hall or sitting about under the trees. Sri Ramakrishna said to Girish (Ghosh), 'Well Girish, what have you seen in me, that you proclaim me before everybody as an Incarnation of God?' Girish was not the man to be taken by surprise. He knelt before the Master and said with folded hands, 'What can an insignificant person like myself say about the One whose glory even sages like Vyasa and Valmiki could not adequately measure?' The Master was profoundly moved. He said: 'What more shall I say? I bless you all. Be illumined!' He fell into a spiritual mood. Hearing these words the devotees, one and all, became overwhelmed with emotion. They rushed to him and fell at his feet. He touched them all, and each received an appropriate benediction. Each of them, at the touch of the Master, experienced ineffable bliss. Some laughed, some wept, some sat down to meditate, some began to pray. Some saw light, some had visions of their Chosen Ideals, and some felt within their bodies the rush of spiritual power."
From the Introduction to THE GOSPEL OF SRI RAMAKRISHNA,
by Swami Nikhilananda
"Those words words of profound blessing, untouched by the slightest tinge of selfishness, directly entered the devotees' hearts where they raised high billows of bliss. They forgot time and space, forgot the disease of the Master and forgot their previous determination not to touch him till he recovered, and had the immediate feeling that sympathizing with their misery, and heart overflowing with compassion, had come down to them from heaven and called them affectionately to Him for protection, like a mother sheltering her children against all ills."
From SRI RAMAKRISHNA, THE GREAT MASTER
by Swami Saradananda
 A COURTESY OF www.ramakrishna.org & Wikipedia.com

                                                                 COME LET'S MAKE A WISH !!! :D
                                                                  ALL OF YOU ARE WELCOME
                                                                    GOD BLESS US !!! <3 <3 <3 :)
                                                                           

Saturday, December 22, 2012

Mahek


Mahek - Tumhara Naam Bahut Khubsurat Hain
Mahek Har Dil Ki Jism-o-Jaan Ki Zarurat Hain
Mahek Chu Jati Hain Mujhe 
Shasshon Mein Meri Ghul Jati Hain
Mahek Tum Jab Lipat Jati Ho Mujhse 
Meri Shaoor Hosh-e- Waqt Ki Naabs 
Kuch Pal Ke Liyeh Bhul Jati Hain

Tumhe Mehsus Karti Hoon
Main Apni Badan Mein Akhlas-e-Gulab Ki Tarha
Meri Zaban-e-Zaika Sheet Ke Mausam Mein
Tumhari Mithas Ko Chumti Hain
Garam Christmas Ki Cake Mein Dube Shehed Ki Tarha
Mahek Tum Ek Pal Ke Liyeh Aati Ho
Bare Gaheriyon Se Meri Dharkan Ko Chu Jati Ho
Jaise Meri Mehboob Mujhe 
Kass Ke Ghira Hain Aagosh Mein
Ek Sukun Bhari Muskan 
Meri Palkein Band Kar Deti Hain
Tum Meri Surat Mein Chandni Ke Jaise Chha Jati Ho

Meri Libas Pe Tum Sile Rahate Ho
Har Din Perfume Ki Naam Se   
Tumhari Nishan Rahe Jati Hain 
Dhundli Hui Yaadon Ki Tarha
Kavi Kavi Meri Bistar Pe 
Bechain Aakhon Mein Dube
Kuch Ancchue Khwabon Ki Tarha

Mahek Tum Sirf Ek Khowab Hi Nehi
Kavi Kavi Meri Nasha Vi Ho Tum
Meri Khirki Se Har Raat Mein Aati
Lawn Mein Pholon Ki Maykhane Se Baheti
Ek Jhonke Ke Jaise Sharab-e-Kahekasha Ho Tum 
Ek Pyass Meri Bujhake Aur Ek Pyass Jagate Ho Tum
Kya Kahun Na Jane Kaise Kaise
Arman-e-Agan Sine Mein Lagate Ho Tum

Chu Na Sakti Hoon Main Tumhe
Iss Dil Mein Bass Yehi Ek Malal Hain
Hoke Bhi Tum Na Ho Kahin
Tum Haqikat Ho Ya Phir Ho Khayal
Zindegi Bhar Uljhati Bass Yehi Ek Sawal Hain
Maheka Ke Mujhe Chali Jati Ho Door
Ek Pal Mein Behosh  Karti Hain Tumhari Surur
Tumhari Judai Ko Sahen Karte Hain
Mahek Tumhari Duriyaan Ko 
Yehi Soch Ke Karte Hain Manzoor
Ke Wada Karo Tum Aati Raho Gi
Yun Hi Achanak Meri Duniya Mein
Aur Baheka Ke Jao Gi Daheka Ke Jao Gi
Iss Hoshwale Jag Mein Fuharon Ki Tarha
Aur Mujhe Kar Do Gi Madh Hoss
Aye Mere Khubsurat Mahek-e-Huzoor  
                                                                       
                                                                           M-e-Z                                                 
                                                              A fragrance of Love <3 <3 <3 :)

                                                                                  

Tuesday, December 18, 2012

Say Cheese !!! :D

                                                                                  
Stan Laurel (16 June, 1890 – 23 February, 1965) and Oliver Hardy (18 January, 1892 – 7 August, 1957) are an early 20th century comedy double-act famous for visual-slapstick humour. Among the most enduringly famous of Laurel and Hardy's works are The Music Box, which features two workers' Sisyphean attempts to move a piano up several flights of stairs, and Babes in Toyland.

Laurel and Hardy got their start as a duo with director Hal Roach's Hal Roach Studios in the late 1920s, and occasionally worked with bigger studios such as RKO and MGM. They are notable for their successful transition from silent-era film to "talkies", and were extremely prolific throughout the late '20s and the '30s. In later years they also toured extensively as stage performers.Though the pair's sketches were often the result of a team of writers, Stan Laurel was something of an "idea man" who rewrote segments of scripts and did a lot of improvising.
                                        
                          THE DUO OF REEL! WHO MAKES LIFE REALLY LIVELY !!! <3 :D
                                                                    ENJOY EVERYBODY !! :D

                                                                              

Monday, December 17, 2012

Color of Kenduli :D

                                                                                


Jaydev Kenduli is a village and gram panchayat in Ilambazar community development block in Bolpur subdivision of Birbhum District in the Indian state of West Bengal. It is believed by many to be the birthplace of Jayadeva, although its authenticity is contested, and in spite of the academic controversy, has developed as a religious centre with many temples and ashramas (hermitages). An annual fair, popular as baul fair, is organized on the occasion of Makar Sankranti.

 Jaydev Kenduli had long been considered as a possible birthplace of the poet Jayadeva, who had composed Gita Govinda in Sanskrit. However, now there appears to be a consensus among scholars that Jayadeva was born in another place in Orissa bearing the same name, in Kenduli Sasan. He was popularly believed to be the court poet of Raja Lakshman Sen, who ruled in the 12th–13th century. The image of Radhamadhav set up by him is daily worshipped. The asana (mat) on which the poet sat and obtained siddhi (salvation) through meditation is carefully preserved.

During the Mughal era Jaydev Kenduli was part of Senpahari pargana. As per a firman issued by Aurangzeb in the 17th century, Senpahari was added to the property of Krishnaram Rai of Bardhaman Raj. Maharani Brajakishori of Bardhaman had set up temples in different places such as Puri and Vrindaban. Jugal Kishore Mukhopadhyay of Jaydev Kenduli was then court-poet at Bardhaman. It is said that it was at his request that the Maharani set up the Radhabinod temple at Jaydev Kenduli in 1683. The temple stands where the house of the poet Jayadeva, was believed locally to have stood, based on the prior assumption of his birth there.
Around 1860-70, Radharaman Brajabasi of the Nirbak Vaisnava sect set up the Nirbak Ashrama at Jaydev Kenduli, the place of birth of their kula guru (patron saint) of the sect, the poet Jayadeva. In the first half of the 20th century, the Radhaballav temple of the Mukhopadhyay family was established. Many more ashramas (hermitages) were set up and thus Jaydev Kenduli developed as a religious centre.

Villages in Jaydev Kenduli panchayat are: Joydev Kenduli, Tikarbeta, Sahapur, Janubazar, Raghunathpur, Mundira, Balarpur, Santoshpur, Bhubanaswer, Sugarh, Chhata Chak, and Akamba.

Terracotta carvings

The Radhabinode temple has exquisite terracotta carvings, some depicting Ramayana scenes.

Fair

A fair is organized in memory of Jayadeva on the occasion of Poush Sankranti or Makar Sankranti. It starts on the last day of the Bengali calendar month, Poush and continues up to 2 Magh. The start of the fair commemorates the auspicious day on which Jayadeva is claimed to have taken a bath at the Kadaambokhandi ghat of the Ajay river at Jaydev Kenduli. In 1982, the district authorities took control of the fair to provide a better environment, a good sanitation system, drinking water, lighting and security.
Several thousand bauls, a community of wandering minstrels who sing devotional songs to the music of the ektara (one stringed instrument), assemble for the fair and as such it is also referred to as Baul Fair. The bauls stay in 160 temporary hermitages at Jaydev Kenduli for around a month. These bauls appear to have inherited the legacy of Jayadeva songs.

However, in recent years, the greatest baul fair in the state is gradually losing its character, as the bauls have been outnumbered by kirtanias, who perform in the mela to gain popularity. In 2008, around 2,000 kirtanias came to attend the mela and they obtained contracts worth Rs. 2 crore.It is not known whether Rabindranath Tagore ever visited Jaydev Kenduli. However, many personalities linked with Santiniketan such as Kshiti Mohan Sen, Nandalal Bose, Provat Kumar Mukhopadhyay, Ramkinkar Baij, and Santideb Ghosh visited Jaydev Kenduli and contributed substantially towards the spread of its name outside Birbhum and added to its fame.

The fair, which is believed by some to have been there for around centuries, caters primarily to the requirements of village folk. Everything from cooking utensils to fishing nets are sold in the fair.

A COURTESY OF WIKIPEDIA .

                                                   THIS IS FOR MY LIONESS ONLY :D
                                                       Ki Amar Songe Jabi Naki Lioness ?? :D
                                                             Chol Amra Dujone Jai okhane 
                                                    To Gather an Unique Exerience of Life !!!