HEAL & CURE :)

                                                                                
In Ayurveda, Schizophrenia is characterised by delusion and hallucination. Schizophrenia is generally witnessed in people in their advanced stages. But, young people can also suffer from this condition.

SCHIZOPHRENIA CAUSES

The primary causes of Schizophrenia are mental and psychic strain and stress.

Besides, one can suffer from Schizophrenia if one is not regular in having one’s meals.

Constipation can also lead to Schizophrenia. In fact, constipation aggravates the Schizophrenia symptoms.SCHIZOPHRENIA SYMPTOMS

The symptoms and signs of Schizophrenia vary according to the types of the ailment. However, the commonly occurring symp*toms of Schizophrenia are insomnia; a sudden and drastic change in one’s nature which is violent as well as irritable; and acting or talking incoherently.

DIETARY REGIMEN

Such persons should regularly have saffron mixed with warm milk;

They should also have butter, ghee and milk (only of cow);

WHAT NOT TO EAT

Avoid all forms of astringent and pungent food items;

Similarly, the patient should not be tendered fried things;

Don’t take beans and pulses as well.

OTHER IMPORTANT POINTS

The best treatment for patients suffering from Schizophrenia is psycho-therapy. It addresses the psychic aspects of the patients.

The conditions that induce the psychic conditions must be identified and eliminated.

The patient should be kept in a homely and happy environment.
The patient should regularly practise the yogic meditation and the breathing exercises (pranayamas).

AYURVEDIC TREATMENTS

The effective Ayurveda treatment for the Schizophrenic patients is the Dhara therapy. The Ayurvedic medications are Vatakulantaka rasa, Sarpagandha, Vacha, and Jatamansi.

SARPAGANDHA, VACHA & JATAMANSI

Sarpagandha, Vacha, and Jatamansi are ideal for inducing a tranquil state of mind in the patient. These medications come in a powdery form.

The dose: One teaspoonful of the three ingredients (as a compound form) needs to be mixed with cold water or milk. One can also have each ingredient individually or separately.

VATAKULANTAKA RASA

Vatakulantaka rasa is prepared with mercury in the purified or conditioned state.

The dose: One tablet mixed with honey thrice daily.

THE DHARA THERAPY

To prepare the Dhara therapy medication, Kshirbala taila (medicated oil) is used.

Preparation Process : Keep the oil in a vessel which is adjusted just over the patient’s forehead.

The Method : Continuous drops of the oil should fall on the patient’s forehead from the bottom of the perforated vessel. The oil should fall exactly between the two eyebrows.

The dose : Once daily.

Results : The patient gets a sound sleep. Moreover, he/she enjoys quick recovery from the psychic condition.


                                            
                                                                                   U R VERY SPECIAL
                                                                                 THE CHILD OF GOD 
                                                                                   REAL OR UNREAL 
                                                                                 NOTHING MATTER
                                                                                      I AM WITH YOU 
                                                                                         FOREVER <3 :)
                                                                                             LOVE U .

              

                                                                                    

Bengali Ghazals

                                                                                   
                                                                                
Like the pantoum, the ghazal arose in another language (in this case, Urdu) and has recently come to life in English despite the difficulties of technical translation. A ghazal is a short lyric poem composed of a series of about 5 to 15 couplets, each of which stands independently on its own as a poetic thought, but is linked through a rhyme scheme established in both lines of the first couplet and continued in the 2nd line of each following pair of lines. The meter is not strictly determined, but the lines of the couplets must be of equal length. Themes usually are connected to romantic love and longing, and the closing signature couplet often includes the poet’s name or an allusion to it.



Courtesy of www. poetry.about.com


Personally I am a Music Loving Person, But When It comes to Listening GHAZAL, It Gives Me The Divine Satisfaction ! It's Makes the whole Atmosphere So Elegant where is it in  the Mehfil or Simply at Home. So here  are Some Ghazals Of My Most Favorite of all Time, They are all in Bengali, Hope You Like it !! 


ENJOY :D  M-e-Z <3 

Asha Ji At Her Best

2. Lata Ji At Her Best :)

                                                    
3. Rupankar Bagchi  The Gem :)

                                                      
4. Nachiketa    The Reformer :) 

     
5. Manna Dey  The Master of All :) 

                                                                                      

Emperor Of Literature

                                                                                                                                  

Bankim Chandra Chatterjee was born on 26th June 1838 at the village of Kathalpara, near Naihati, North 24 Parganas, West Bengal of Jadabchandra Chatterjee & Durgadevi. Son of a deputy collector, he grew up to join civil service as the deputy magistrate and deputy collector of the district of Jessore as soon a he completed his law degree from Presidency college Calcutta in 1857.

He was a member of an illustrious family, his brother being Sanjib Ch. Chatterjee the famous nature writer and the author of "Palamou". Bengalis, for the 1st time got the taste of a real novel in the pre-Tagore era through Chatterjee. In 1864 his first novel in English, Rajmohon's wife started appearing on weekly basis in the Education Gazette. But somehow it was found missing the charm of the language. His Bengali novel, which he had already started writing in 1863, was soon published. "Durgesh Nandini" as it was called created a sensation in the Bengali literary arena. "Kopal Kundala" followed this in 1866, which was inspired by his rencontre with a 'kapalik' or a sadhu who believes in the worship of 'Shakti' while he was in Negua. In 1869, his 3rd novel 'Mrinalini' was published & the readers for the 1st time found the flavour of patriotism in his creations.


In 1872 he took over as the editor of the prestigious magazine Bangadarshan. In 1873 two new novels "Bishbriksha" and "Indira" were published which totally dealt with social problems. His next novel was "Jugalangurio" published in 1874. In 1880 while acting as the temporary PA of the commissioner of Burdwan, "Chandrashekher" and "Radharani" were published. "Rajani" followed these in 1877 and "Kirishnakanter will" in 1878. In 1882 his eleventh novel "Rajsingha" based on the royal families of Marwar came in the market. His most famous novel "Anandamath" was also published this year. "Anandamath" is termed, as his most political novel which was a source of inspiration to the patriots fighting for the freedom of their motherland.

The chant "Vande Mataram" which later was adopted by the patriots as their slogan in the fight for freedom was coined in this novel. In late 1882 when he was transferred to Judgepur Orissa he started writing his thirteenth novel "Devi Choudhurani". It was published in 1884. The last novel he wrote was "Sitaram", published in 1887. Not only did he write novels, he was also one of the most effective columnists. His collection of essays like " Lok Rahashya " and " Kamalakanter Daptar" criticized the meaningless Bengali customs in a manner that forced an immediate change.

The British Government honoured him with the title "Ray Bahadur" in 1892. He became a CIE in 1894.The great novelist passed away on 8th April 1894.  

A COURTESY OF  www.bangalinet.com


                                                                  BANDE MATARAM

      Translation by Sri Aurobindo 

Mother, I bow to thee! 
Rich with thy hurrying streams,
bright with orchard gleams,
Cool with thy winds of delight,
Dark fields waving Mother of might,
Mother free.

Glory of moonlight dreams,
Over thy branches and lordly streams,
Clad in thy blossoming trees,
Mother, giver of ease
Laughing low and sweet!
Mother I kiss thy feet,
Speaker sweet and low!
Mother, to thee I bow.

Who hath said thou art weak in thy lands
When the sword flesh out in the seventy million hands
And seventy million voices roar
Thy dreadful name from shore to shore?
With many strengths who art mighty and stored,
To thee I call Mother and Lord!
Though who savest, arise and save!
To her I cry who ever her foeman drove
Back from plain and Sea
And shook herself free.

Thou art wisdom, thou art law,
Thou art heart, our soul, our breath
Though art love divine, the awe
In our hearts that conquers death.
Thine the strength that nervs the arm,
Thine the beauty, thine the charm.
Every image made divine
In our temples is but thine.

Thou art Durga, Lady and Queen,
With her hands that strike and her
swords of sheen,
Thou art Lakshmi lotus-throned,
And the Muse a hundred-toned,
Pure and perfect without peer,
Mother lend thine ear,
Rich with thy hurrying streams,
Bright with thy orchard gleems,
Dark of hue O candid-fair

In thy soul, with jewelled hair
And thy glorious smile divine,
Lovilest of all earthly lands,
Showering wealth from well-stored hands!
Mother, mother mine!
Mother sweet, I bow to thee,
Mother great and free!

Rang

Saat Rang Mein Roz Jeeti Hoon

Abb Aathwan Rang Mein Nahana Chahti Hoon

Bahut Pyassi Hoon Main Apni Mauj Mein

Abb Tere Ishq-e-Sailab Mein Bahena Chahti Hoon

Hona Chahti Hoon Main Madhose

Bharke Bahon Mein Mujhe Tu Meri Urra De Hosh

Pyassi Laab Meri Bhigay Teri  Shabnam Mein

Tere Khussbu Se Bhar Jaye Meri Jism-e-Gulposh

Tanha Tanha Yeh Naina Kaajrare

Tu Aake Meri Kismaat Saware

Jo Na Dekh Paoun Main Khuli Nazron Se Kavi

Chum Ke Meri Aakhon Mein Bhar De Woh Bemisaal Nazarein

Meri Bahein Tujh Ko Hi Pukare

Tu Kyun Na Samjhe Meri Ishare

Yeh Manzar Yeh Khali Khali Rahein

Aur Yeh Jiya Jite Hain Teri Aahon Ke Saharein

Tu na Jaane Kyun Yeh Dil Raheti Hain Tang

Tu Hi Meri Jineh Ki Aarzoo Aur Meri Lauti Umang

Aag Mein Tapke Barsat Mein Bhujke

Zaron Mein Kapkapati Hui Yeh Bechain Ang

Na hain Koi Meri Disha

Na Hain Meri Koi Jeene Ka Dhang

Bhikhar Ke Phir Ti Main Hu Haar Ek Gaaliyan

Jaise Koi Dor Se Tuti Hui Kati Patang

Ab Na Jiya Jaata Hain Aise

Ghol De Tu Meri Jiban Mein Basant Ke Rang

                                                         COME SINK IN THE COLOR OF LOVE !!! :-)
                                                                                  M-e-Z <3

                                                                                         

Aakhiyaan

Kuch Mili Hain Mujhe Zindegi Se 

Kuch Mujhse Hamesha Khoyee Hain

Jab Jab Dekha Main Tumhari Naino Ko

Hamesha Meri Khoyee Hui Woh Pal 

Unn Hasin Aakhon Mein Mili Hain

Tumhari Aakhein Na Jaane Kya Kaheti Hain

Khamosh Nigahein Na Jaane Kya Saheti Hain

Tum Kholti Ho Jab Palkein Tumhari 

Raaz-e-Savera Unn Mein  Dhikhaee Deti Hain

Kuch Armaan Shayed Roz 

Unn Palkon Mein Tum Bunti Ho

Tarash Ke Mann Ki Nazron Se 

Tum Har Ek Sapna Chunti Ho

Jab Na Koi Hota Hain Kareeb Tumhari

BeKhayal Nigahon Se Mujhe Dhundti Ho

Kali Kali Unn Aakhon Ki Taron Mein

Raat Ki Andheron Mein Tut Ti 

Lakhon Khowahishon Mein

Tum Mujhe Rakhte Ho Mehfuz Karke

Apni Khubsurat Bheegi Si Palkon Ki Shabnaam Mein

Mere Liyeh Tum Doah Karti Ho Rab Se

Chupati Ho Meri Chahat Tum Na Jaane Kab Se

Jab Woh Paak-e- Nazar Dekhti Hain Khudah Ki Taraf

Meri Umar Ki Hisaab Barhti Hain Tab Se

Tumhari Nazron Se Kuch Kahena Hain

Tumhari Palkon Mein Mujhe Yun Hi Rahena Hain

Mujhe Doob Na Hain Har Din Uss Ishq-e-Talab Mein

Har Sitam Har Zulum Har Badnaami Logon Ki Mujhe

Khushi Khushi Aise Hi Sahena Hain

Tumhari Nazar Rahein Meri Hi Firaaq Mein

Besh Kimat Woh Nazar  Rahe Mere Hi Haaq Mein

Main Aagar Tumhare Saath Na Vi Rahun 

Toh Koi Vi Ghum Nehi

Meri Ruh ke Saath Tumhari Aakhon Ke Nur BeShaak Hain

Uss Nazar Ko Meri Lakhon Salam

Nashile Unn Deed-e-Adaon Pe Kar Du

Meri Iss Shar Ko Kalam

Meri Ru-ba-ru Rahe Tumhari Chehra

Meri Zindegi Kar Du Unn Aakhiyaan Ke Naam

                                                                           Eye's Of Eternity !! 
                                                                                    M-e-Z :-)

                                                                                        

Kuch Baatein

Koun Si Aisi  Manzil Nehi Jahan Main Nehi Hoon

Meri Nazar Waha Door Asmaan Mein Hain

Aur Main Yahan Zameen Pe Khari Hoon

Chand Akela Falak Pe Muskaye

Apni Kiran Se Meri Dil Bahelaye

Tum Zindah Ho Avi Le Rahi Ho Shaash

Aise Deke Honsla Meri Dil Ko Sahelaye

Main Chalti Hoon Sunsan Sadak Pe

Aur Chalte Hain Kuch Tez Hawayein

Chalo Tum Mere Saath Urr Ke

Kahe ke Meri Mann Ko Kahin Aur Le Jaye

Jahan Wadiyon Se Ghire Hue Ek Choti Si Basti Hain

Jahan  Machalti Hui Ek Dariya  

Jhumti Hui Laharon Ki Dhuno Ke Saath Hain Baheti 

Aur Saath Kuch Phoolon Se Saaje Ek Chhoti Si Kashti Hain

Baat Karti Hoon Main Har Kisi Se

Lekin Kuch Baatein Kavi Kahe Nehi Sakti

Kuch Parindey Ass Pass Urr Te Hain

Shayed Gaa Te Hain Woh Geet Jo Main Gaa Nehi Sakti

Saab Kahete Hain Kaise Jite Ho Aise

Tumhe Hamari Tarha Jinah Chahiye

Hum Kahete Hain Jo Na Aaye Kisike Kam

Hume Aisi Sharab-e-Zindegi Pina Chahiye

LIVE LIFE !!! :-) <3

M-e-Z

Incarnation

                                                    

Lord Jesus reincarnated. Can human do may not be possible But......The Sanskrit word for rebirth or reincarnation is 'punarjanam' and 'samsara' (theround of births and deaths or transmigration of the soul).

Writes S. Rajmohan, research scholar at the Ramakrishna Mission, Chennai, India, in Tattvaloka (June-July 1995): "For death is nothing but the dissolution of the body, which is a mere cage for the jiva (soul). At the time of death, the self entrapped in the snare of the five elements leaves one body and enters another."

The scriptures further clarify that death is a mere point in the soul's journey to the ultimate goal of life—moksha or liberation from the cycle of life and death. Thus, this transmigration of the soul is defined as "the passage after death of the human or animal soul from a mortal body to a new incarnation in another body of the same or another species" in the Encyclopaedia of Religion and Ethics edited by James Hastings. 
But this network of life is not limited to fables and fantasies. There is documented evidence of children remembering their past lives. However, the scientific community is unimpressed. "Reincarnation cannot be proven scientifically," says Delhi-based psychiatrist Dr Kulin Kothari. "It is a belief propagated by the spiritual and metaphysical schools."

So we have skeptics on one hand and on the other, those who do not need any evidence of reincarnation because they are rooted in a culture that believes in reincarnation. In between are researchers who try to analyze the claims of rebirth through a scientific approach.

KARMA AND REINCARNATION 
To understand reincarnation, we must know its origins. The Bhagvad Purana states: "Just as commodities like gold and other articles change hands, a jiva (soul) wanders from one species of existence to another." So we are reborn and get a life in accordance with our past karmas or deeds.

A little skeptical about this theory, filmstar Suresh Oberoi says: "I don't know about past lives, but I do agree that karma rebounds. Karma is action and just as whatever seed you sow becomes a plant of that species, so whatever action you perform must give its results. When it will materialize is very difficult to say."

Writes Swami Jyotirmayananda in Tattvaloka: "Though the Sanskrit word 'karma' literally means 'action', it implies the impressions of action that exist in the subconscious and the unconscious depths of the mind. Therefore, for every reincarnating spirit, there is a storehouse of karma from the past lives. All karmas don't bear fruit in the same life. Certain karmas continue to exist as seeds and may fructify in future lives."

But the law of karma does not bind you to fate or destiny. It is the propeller to surge you ahead in the evolution cycle. In The Problem of Life and Death, Swami Parmananda of Sri Ramakrishna Math, Chennai, India, writes: "On the contrary it (karma) declares that no condition is permanent, but if man wishes to escape from the present fruits of his actions, he has only to direct his energies steadily in another channel and he will counteract the results of his past errors." For instance, if you have a bad habit such as smoking, you just have to fix your goal to a higher purpose to get rid of this habit. 
Swami Vivekananda is even more emphatic on the role of free will. He wrote: "We have the power to be what we are, and whatever we wish to be, we have the power to make ourselves." If what we are has been the result of our past actions, it certainly follows that whatever we wish to be in future can be produced by our present actions; so we have to know how to act."

But most of us forget our past lives. Why? Wrote Sri Aurobindo in The Life Divine: "The law that deprives us of the memory of the past lives is a law of the cosmic wisdom and serves, not disserves, its evolutionary purpose... A clear and detailed memory of the past lives, hatred, rancor, attachments, connections would be a stupendous inconvenience; for it would bind the reborn being to a useless repetition or a compulsory continuation of his surface past and stand in the way of his bringing out new possibilities from the depths of the spirit."

According to J. Bruce Long, it could be the fear of transference of karma. "As written in the Mahabharata, the transference of karmas, good or evil, is more prevalent in families. The chaste wife can release her husband from sin. Like all negatives, this too has a negative, so to destroy a man, destroy his wife," he writes in Karma and Rebirth in Indian Classical Traditions.

Most Buddhist sects agree with reincarnation. The Tibetan Book of The Dead describes the soul's passage after death and how it comes back to human form. The story of the Dalai Lama is the best example of children's past life memory. Each of the Dalai Lamas, over many centuries since the birth of the first in 1351 AD, followed the same line; each one was an incarnation of the last, retaining the spiritual wisdom acquired over many lifetimes.
                      "JO HOTA HAIN ACCHE KE LIYEH HOTA HAIN"-- SRI KRISHNA                             
                                                    THE TRUTH OF LIFE !!! :-)

A COURTESY OF .powertoshare.com