Love Rain :)

Love Rain :)

Wednesday, January 25, 2012

The Dancing Wall !

                                                                             
The Legendary "Lost City of Machu Picchu" is with out a doubt the most important tourist attraction in Peru and one of the world's most impressive archaeological sites. Built by the Incas on the summit of "Machu Picchu" (Old Peak), overlooking the deep canyon of the Urubamba river in a semi-tropical area 75 miles from the city of Cusco at 7,000 feet above sea level.



 Machu Picchu is also one of the Inca's best kept secrets, since they did not leave written records
and Spanish chronicles make no mention of the citadel, it remains a mystery. Discovered on in 1911 by the American Yale Professor Hiram Bingham. The building style is "late imperial Inca" thought to have been a sanctuary or temple inhabited by high priests and the "Virgins of the Sun" (chosen women). Excavations revealed that of the 135 skeletons found, 109 were women. No signs of post-Conquest occupation were unearthed.



The original entrance to the complex is on the southwestern side of the citadel at the end of the Inca Trail, a short walk away from "Intipunko" (Sun Gate) the ancient final check point to Machu Picchu. The present entrance on the southeastern side leads to the agricultural section.


The complex can be divided in three distinctly section: Agricultural, urban, and religious. The agricultural area consists of a series of terraces and irrigation channels that serve dual purpose, as cultivation platform- making it self sustained -, and as retention walls to avoid erosion. Some smaller buildings next to large terraces are part of this section and thought to have served as lookout posts.
The urban section starts at "the wall" that separates it from the agricultural area, this group of buildings were constructed on the ridge that descends abruptly to the Urubamba Valley. In the southern part of this section is found a series of niches carved on rock known as "the jail" with elements that include man size niches, stone rings would have served to hold the prisoner's arms, and underground dungeons. The group of refined structures next to the "the jail" is known as "the intellectuals' quarters", with tall walls, nooks, and windows built with reddish stone are considered to have been accommodations for the Amautas (high ranked teachers). One of the buildings has several circular holes carved on the rock floor named the "mortar room" believed to have been used for preparation of dyes.


The largest urban section in Machu Picchu, located on the north western part, is reached by a 67 steps staircase and involves a group of buildings not as finely constructed as other parts of the complex.
The central plaza that separates the religious from the urban section, has a great rock in the center. The religious section contains splendid architecture and masonry work, one of the most important and enigmatic is probably the Intihuatana shrine, this block of granite was presumably used to make astronomical observations.
Descending the hill next to this site is the Great Central Temple, a three walled building with fine stonework and an attached smaller temple called the "Sacristy". Next to this structure is another three walled building, known as the Temple of the Three Windows, so called because of the trapezoidal openings on the east wall. Directly across is the Royal sector, with ample buildings typical of Inca royalty. A very important structure is this section is the "Temple of the Sun", a circular tower with the best stonework of Machu Piccho. Its Recent studies show that the actual purpose was for astronomical observance.

A COURTESY OF peru-travel.com 


                                                                           

Sunday, January 22, 2012

OM

                                                                                  


"The goal which all the Vedas declare, which all austerities aim at, and which men desire when they lead the life of continence … is Om. This syllable Om is indeed Brahman. Whosoever knows this syllable obtains all that he desires. This is the best support; this is the highest support. Whosoever knows this support is adored in the world of Brahma."
~ Katha Upanishad I



Om or Aum is of paramount importance in Hinduism. This symbol (as seen in the image on the right) is a sacred syllable representing Brahman, the impersonal Absolute of Hinduism — omnipotent, omnipresent, and the source of all manifest existence. Brahman, in itself, is incomprehensible; so a symbol becomes mandatory to help us realize the Unknowable. Om, therefore, represents both the unmanifest (nirguna) and manifest (saguna) aspects of God. That is why it is called pranava, to mean that it pervades life and runs through our prana or breath.


Om in Daily Life
Although Om symbolizes the most profound concepts of Hindu belief, it is in use daily. The Hindus begin their day or any work or a journey by uttering Om. The sacred symbol is often found at the head of letters, at the beginning of examination papers and so on. Many Hindus, as an expression of spiritual perfection, wear the sign of Om as a pendant. This symbol is enshrined in every Hindu temple premise or in some form or another on family shrines.


It is interesting to note that a newly born child is ushered into the world with this holy sign. After birth, the child is ritually cleansed and the sacred syllable Om is written on its tongue with honey. Thus right at the time of birth the syllable Om is initiated into the life of a Hindu and ever remains with him as the symbol of piety. Om is also a popular symbol used in contemporary body art and tattoos.


The Eternal Syllable
According to the Mandukya Upanishad, "Om is the one eternal syllable of which all that exists is but the development. The past, the present, and the future are all included in this one sound, and all that exists beyond the three forms of time is also implied in it".


The Music of Om
Om is not a word but rather an intonation, which, like music, transcends the barriers of age, race, culture and even species. It is made up of three Sanskrit letters, aa, au and ma which, when combined together, make the sound Aum or Om. It is believed to be the basic sound of the world and to contain all other sounds. It is a mantra or prayer in itself. If repeated with the correct intonation, it can resonate throughout the body so that the sound penetrates to the centre of one's being, the atman or soul.


There is harmony, peace and bliss in this simple but deeply philosophical sound. By vibrating the sacred syllable Om, the supreme combination of letters, if one thinks of the Ultimate Personality of Godhead and quits his body, he will certainly reach the highest state of "stateless" eternity, states the Bhagavad Gita.

The Vision of Om
Om provides a dualistic viewpoint. On one hand, it projects the mind beyond the immediate to what is abstract and inexpressible. On the other hand, it makes the absolute more tangible and comprehensive. It encompasses all potentialities and possibilities; it is everything that was, is, or can yet be. It is omnipotent and likewise remains undefined.


The Power of Om
During meditation, when we chant Om, we create within ourselves a vibration that attunes sympathy with the cosmic vibration and we start thinking universally. The momentary silence between each chant becomes palpable. Mind moves between the opposites of sound and silence until, at last, it ceases the sound. In the silence, the single thought—Om—is quenched; there is no thought. This is the state of trance, where the mind and the intellect are transcended as the individual self merges with the Infinite Self in the pious moment of realization. It is a moment when the petty worldly affairs are lost in the desire for the universal. Such is the immeasurable power of Om.


A Courtesy of  hinduism.about.com


          "NA UMRON KI SIMAH HO, NA JANMON KA HO BANDHAN, JAB PYAR KAREN                                                                                         KOI
                                 TOH DEKHE KEWAL MANN " --- THE TRUTH OF LIFE ! HARI OM :)

                                                                                            

Thursday, January 19, 2012

HEAL & CURE :)

                                                                                
In Ayurveda, Schizophrenia is characterised by delusion and hallucination. Schizophrenia is generally witnessed in people in their advanced stages. But, young people can also suffer from this condition.

SCHIZOPHRENIA CAUSES

The primary causes of Schizophrenia are mental and psychic strain and stress.

Besides, one can suffer from Schizophrenia if one is not regular in having one’s meals.

Constipation can also lead to Schizophrenia. In fact, constipation aggravates the Schizophrenia symptoms.SCHIZOPHRENIA SYMPTOMS

The symptoms and signs of Schizophrenia vary according to the types of the ailment. However, the commonly occurring symp*toms of Schizophrenia are insomnia; a sudden and drastic change in one’s nature which is violent as well as irritable; and acting or talking incoherently.

DIETARY REGIMEN

Such persons should regularly have saffron mixed with warm milk;

They should also have butter, ghee and milk (only of cow);

WHAT NOT TO EAT

Avoid all forms of astringent and pungent food items;

Similarly, the patient should not be tendered fried things;

Don’t take beans and pulses as well.

OTHER IMPORTANT POINTS

The best treatment for patients suffering from Schizophrenia is psycho-therapy. It addresses the psychic aspects of the patients.

The conditions that induce the psychic conditions must be identified and eliminated.

The patient should be kept in a homely and happy environment.
The patient should regularly practise the yogic meditation and the breathing exercises (pranayamas).

AYURVEDIC TREATMENTS

The effective Ayurveda treatment for the Schizophrenic patients is the Dhara therapy. The Ayurvedic medications are Vatakulantaka rasa, Sarpagandha, Vacha, and Jatamansi.

SARPAGANDHA, VACHA & JATAMANSI

Sarpagandha, Vacha, and Jatamansi are ideal for inducing a tranquil state of mind in the patient. These medications come in a powdery form.

The dose: One teaspoonful of the three ingredients (as a compound form) needs to be mixed with cold water or milk. One can also have each ingredient individually or separately.

VATAKULANTAKA RASA

Vatakulantaka rasa is prepared with mercury in the purified or conditioned state.

The dose: One tablet mixed with honey thrice daily.

THE DHARA THERAPY

To prepare the Dhara therapy medication, Kshirbala taila (medicated oil) is used.

Preparation Process : Keep the oil in a vessel which is adjusted just over the patient’s forehead.

The Method : Continuous drops of the oil should fall on the patient’s forehead from the bottom of the perforated vessel. The oil should fall exactly between the two eyebrows.

The dose : Once daily.

Results : The patient gets a sound sleep. Moreover, he/she enjoys quick recovery from the psychic condition.



                                            
                                                                                   U R VERY SPECIAL
                                                                                 THE CHILD OF GOD 
                                                                                   REAL OR UNREAL 
                                                                                 NOTHING MATTER
                                                                                      I AM WITH YOU 
                                                                                         FOREVER <3 :)
                                                                                             LOVE U .


              



                                                                                    

Bengali Ghazals

                                                                                   
                                                                                
Like the pantoum, the ghazal arose in another language (in this case, Urdu) and has recently come to life in English despite the difficulties of technical translation. A ghazal is a short lyric poem composed of a series of about 5 to 15 couplets, each of which stands independently on its own as a poetic thought, but is linked through a rhyme scheme established in both lines of the first couplet and continued in the 2nd line of each following pair of lines. The meter is not strictly determined, but the lines of the couplets must be of equal length. Themes usually are connected to romantic love and longing, and the closing signature couplet often includes the poet’s name or an allusion to it.



Courtesy of www. poetry.about.com


Personally I am a Music Loving Person, But When It comes to Listening GHAZAL, It Gives Me The Divine Satisfaction ! It's Makes the whole Atmosphere So Elegant where is it in  the Mehfil or Simply at Home. So here  are Some Ghazals Of My Most Favorite of all Time, They are all in Bengali, Hope You Like it !! 


ENJOY :D  M-e-Z <3 

Asha Ji At Her Best




2. Lata Ji At Her Best :)


                                                    
3. Rupankar Bagchi  The Gem :)

                                                      
4. Nachiketa    The Reformer :) 


     
5. Manna Dey  The Master of All :) 


                                                                                      

Wednesday, January 18, 2012

Emperor Of Literature

                                                                                                                                  

Bankim Chandra Chatterjee was born on 26th June 1838 at the village of Kathalpara, near Naihati, North 24 Parganas, West Bengal of Jadabchandra Chatterjee & Durgadevi. Son of a deputy collector, he grew up to join civil service as the deputy magistrate and deputy collector of the district of Jessore as soon a he completed his law degree from Presidency college Calcutta in 1857.

He was a member of an illustrious family, his brother being Sanjib Ch. Chatterjee the famous nature writer and the author of "Palamou". Bengalis, for the 1st time got the taste of a real novel in the pre-Tagore era through Chatterjee. In 1864 his first novel in English, Rajmohon's wife started appearing on weekly basis in the Education Gazette. But somehow it was found missing the charm of the language. His Bengali novel, which he had already started writing in 1863, was soon published. "Durgesh Nandini" as it was called created a sensation in the Bengali literary arena. "Kopal Kundala" followed this in 1866, which was inspired by his rencontre with a 'kapalik' or a sadhu who believes in the worship of 'Shakti' while he was in Negua. In 1869, his 3rd novel 'Mrinalini' was published & the readers for the 1st time found the flavour of patriotism in his creations.


In 1872 he took over as the editor of the prestigious magazine Bangadarshan. In 1873 two new novels "Bishbriksha" and "Indira" were published which totally dealt with social problems. His next novel was "Jugalangurio" published in 1874. In 1880 while acting as the temporary PA of the commissioner of Burdwan, "Chandrashekher" and "Radharani" were published. "Rajani" followed these in 1877 and "Kirishnakanter will" in 1878. In 1882 his eleventh novel "Rajsingha" based on the royal families of Marwar came in the market. His most famous novel "Anandamath" was also published this year. "Anandamath" is termed, as his most political novel which was a source of inspiration to the patriots fighting for the freedom of their motherland.

The chant "Vande Mataram" which later was adopted by the patriots as their slogan in the fight for freedom was coined in this novel. In late 1882 when he was transferred to Judgepur Orissa he started writing his thirteenth novel "Devi Choudhurani". It was published in 1884. The last novel he wrote was "Sitaram", published in 1887. Not only did he write novels, he was also one of the most effective columnists. His collection of essays like " Lok Rahashya " and " Kamalakanter Daptar" criticized the meaningless Bengali customs in a manner that forced an immediate change.

The British Government honoured him with the title "Ray Bahadur" in 1892. He became a CIE in 1894.The great novelist passed away on 8th April 1894.  

A COURTESY OF  www.bangalinet.com


                                                                  BANDE MATARAM
      Translation by Sri Aurobindo 

Mother, I bow to thee! 
Rich with thy hurrying streams,
bright with orchard gleams,
Cool with thy winds of delight,
Dark fields waving Mother of might,
Mother free.

Glory of moonlight dreams,
Over thy branches and lordly streams,
Clad in thy blossoming trees,
Mother, giver of ease
Laughing low and sweet!
Mother I kiss thy feet,
Speaker sweet and low!
Mother, to thee I bow.

Who hath said thou art weak in thy lands
When the sword flesh out in the seventy million hands
And seventy million voices roar
Thy dreadful name from shore to shore?
With many strengths who art mighty and stored,
To thee I call Mother and Lord!
Though who savest, arise and save!
To her I cry who ever her foeman drove
Back from plain and Sea
And shook herself free.

Thou art wisdom, thou art law,
Thou art heart, our soul, our breath
Though art love divine, the awe
In our hearts that conquers death.
Thine the strength that nervs the arm,
Thine the beauty, thine the charm.
Every image made divine
In our temples is but thine.


Thou art Durga, Lady and Queen,
With her hands that strike and her
swords of sheen,
Thou art Lakshmi lotus-throned,
And the Muse a hundred-toned,
Pure and perfect without peer,
Mother lend thine ear,
Rich with thy hurrying streams,
Bright with thy orchard gleems,
Dark of hue O candid-fair

In thy soul, with jewelled hair
And thy glorious smile divine,
Lovilest of all earthly lands,
Showering wealth from well-stored hands!
Mother, mother mine!
Mother sweet, I bow to thee,
Mother great and free!


Friday, January 13, 2012

Rang


Saat Rang Mein Roz Jeeti Hoon
Abb Aathwan Rang Mein Nahana Chahti Hoon
Bahut Pyassi Hoon Main Apni Mauj Mein
Abb Tere Ishq-e-Sailab Mein Bahena Chahti Hoon

Hona Chahti Hoon Main Madhose
Bharke Bahon Mein Mujhe Tu Meri Urra De Hosh
Pyassi Laab Meri Bhigay Teri  Shabnam Mein
Tere Khussbu Se Bhar Jaye Meri Jism-e-Gulposh

Tanha Tanha Yeh Naina Kaajrare
Tu Aake Meri Kismaat Saware
Jo Na Dekh Paoun Main Khuli Nazron Se Kavi
Chum Ke Meri Aakhon Mein Bhar De Woh Bemisaal Nazarein

Meri Bahein Tujh Ko Hi Pukare
Tu Kyun Na Samjhe Meri Ishare
Yeh Manzar Yeh Khali Khali Rahein
Aur Yeh Jiya Jite Hain Teri Aahon Ke Saharein

Tu na Jaane Kyun Yeh Dil Raheti Hain Tang
Tu Hi Meri Jineh Ki Aarzoo Aur Meri Lauti Umang
Aag Mein Tapke Barsat Mein Bhujke
Zaron Mein Kapkapati Hui Yeh Bechain Ang

Na hain Koi Meri Disha
Na Hain Meri Koi Jeene Ka Dhang
Bhikhar Ke Phir Ti Main Hu Haar Ek Gaaliyan
Jaise Koi Dor Se Tuti Hui Kati Patang
Ab Na Jiya Jaata Hain Aise
Ghol De Tu Meri Jiban Mein Basant Ke Rang

                                                         COME SINK IN THE COLOR OF LOVE !!! :-)
                                                                                  M-e-Z <3


                                                                                         

Thursday, January 12, 2012

Aakhiyaan


Kuch Mili Hain Mujhe Zindegi Se 
Kuch Mujhse Hamesha Khoyee Hain
Jab Jab Dekha Main Tumhari Naino Ko
Hamesha Meri Khoyee Hui Woh Pal 
Unn Hasin Aakhon Mein Mili Hain

Tumhari Aakhein Na Jaane Kya Kaheti Hain
Khamosh Nigahein Na Jaane Kya Saheti Hain
Tum Kholti Ho Jab Palkein Tumhari 
Raaz-e-Savera Unn Mein  Dhikhaee Deti Hain

Kuch Armaan Shayed Roz 
Unn Palkon Mein Tum Bunti Ho
Tarash Ke Mann Ki Nazron Se 
Tum Har Ek Sapna Chunti Ho
Jab Na Koi Hota Hain Kareeb Tumhari
BeKhayal Nigahon Se Mujhe Dhundti Ho

Kali Kali Unn Aakhon Ki Taron Mein
Raat Ki Andheron Mein Tut Ti 
Lakhon Khowahishon Mein
Tum Mujhe Rakhte Ho Mehfuz Karke
Apni Khubsurat Bheegi Si Palkon Ki Shabnaam Mein

Mere Liyeh Tum Doah Karti Ho Rab Se
Chupati Ho Meri Chahat Tum Na Jaane Kab Se
Jab Woh Paak-e- Nazar Dekhti Hain Khudah Ki Taraf
Meri Umar Ki Hisaab Barhti Hain Tab Se

Tumhari Nazron Se Kuch Kahena Hain
Tumhari Palkon Mein Mujhe Yun Hi Rahena Hain
Mujhe Doob Na Hain Har Din Uss Ishq-e-Talab Mein
Har Sitam Har Zulum Har Badnaami Logon Ki Mujhe
Khushi Khushi Aise Hi Sahena Hain

Tumhari Nazar Rahein Meri Hi Firaaq Mein
Besh Kimat Woh Nazar  Rahe Mere Hi Haaq Mein
Main Aagar Tumhare Saath Na Vi Rahun 
Toh Koi Vi Ghum Nehi
Meri Ruh ke Saath Tumhari Aakhon Ke Nur BeShaak Hain

Uss Nazar Ko Meri Lakhon Salam
Nashile Unn Deed-e-Adaon Pe Kar Du
Meri Iss Shar Ko Kalam
Meri Ru-ba-ru Rahe Tumhari Chehra
Meri Zindegi Kar Du Unn Aakhiyaan Ke Naam

                                                                           Eye's Of Eternity !! 
                                                                                    M-e-Z :-)