Love Rain :)

Love Rain :)

Wednesday, February 1, 2012

Furious Fence

                                                                                                                                         
     
Sword fighting as sport has existed since ancient Egypt, and has been practiced in many forms in various cultures since then. Although jousting and tournament combat was a popular sport in the European middle ages, modern FIE fencing owes more to unarmoured dueling forms that evolved from 16th century rapier combat. Rapiers evolved from cut-and-thrust military swords, but were most popular amongst civilians who used it for self-defence and dueling. Rapiers were edged, but the primary means of attack was the thrust. Rapier fencing spread from Spain and Italy to northwest Europe, in spite of the objections of masters such as George Silver who preferred traditional cutting weapons such the English broad sword. 

The Spanish school, under masters such as Narvaez and Thibault, became a complicated and mystical affair whose geometrical theories required much practice to master. Italian masters like Agrippa and Capo Ferro developed a more pragmatic school in the late 16th and early 17th centuries, introducing innovations such as linear fencing and the lunge.

By the 18th century, the rapier had evolved to a simpler, shorter, and lighter design that was popularized in France as the small sword. Although the small sword often had an edge, it was only to discourage the opponent from grabbing the blade, and the weapon was used exclusively for thrusting. The light weight made a more complex and defensive style possible, and the French masters developed a school based on defence with the sword, subtlety of movement, and complex attacks. When buttoned with a leather safety tip that resembled a flower bud, the small sword was known as le fleuret, and was identical in use to the modern foil (still known as le fleuret in French). Indeed, the French small sword school forms the basis of most of modern fencing theory.

By the mid-19th century, dueling was in decline as a means of settling disputes, partially because victory could lead to a jail term for assault or manslaughter. Emphasis shifted to defeating the opponent without necessarily killing him, and less fatal dueling forms evolved using the dueling sword, or epee de terrain, an unedged variant of the small sword. Later duels often ended with crippling thrusts to the arm or leg, and fewer legal difficulties for the participants. This is the basis of modern epee fencing.


Cutting swords had been used in bloodsports such as backsword prizefights at least as far back as the 17th century. Broadswords, sabres, and cutlasses were used extensively in military circles, especially by cavalry and naval personell, and saw some dueling application in these circles as well. Training was performed with wooden weapons, and stick fighting remained popular until Italian masters formalized sabre fencing into a non-fatal sporting/training form with metal weapons in the late 19th century. Early sport sabres were significantly heavier than the modern sport sabre and necessitated a strong style with the use of moulinets and other bold movements. As with thrusting swords, the sabre evolved to lighter, less fatal dueling forms such as the Italian sciabola di terro and the German schlager. Hungarian masters developed a new school of sabre fencing that emphasized finger control over arm strength, and they dominated sabre fencing for most of the 20th century.

Dueling faded away after the First World War. A couple of noteworthy duels were fought over disputes that arose during Olympic games in the 1920s, and there have been rare reports of sword duels since then. In October 1997, the Mayor of Calabria, Italy, publicly challenged certain Mafiosos to a duel. German fraternity dueling (mensur) still occurs with some frequency.

The first modern Olympic games featured foil and sabre fencing for men only. Epee was introduced in 1900. Single stick was featured in the 1904 games. Epee was electrified in the 1936 games, foil in 1956, and sabre in 1988. Early Olympic games featured events for Masters, and until recently fencing was the only Olympic sport that has included professionals. Disruptions in prevailing styles have accompanied the introduction of electric judging, most recently transforming sabre fencing. Foil fencing experienced similar upheavals for a decade or two following the introduction of electric judging, which was further complicated by the new, aggressive, athletic style coming out of eastern Europe at the time.

Women's foil was first contested in the 1924 Olympic games, and Women's epee was only contested for the first time in 1996, although it has been part of the World Championships since 1989. Women's sabre made its first appearance in the 1998 World Championships as a demonstration sport.


A COURTESY OF www.fencing.net


                                                   Fight For Justice, Art, & Self Defence :)




                                                                                

Monday, January 30, 2012

Temple Of Femina

                                                                             

Kamakhya Shaktipeeth is considered one of the most eminent Shaktipeeth of of Mata Sati. Kamakhya Shaktipeeth is situated in Kamakhya on Nilanchal hill in Kamgiri area. This comes in Guwahati district of Assam. There is popular belief related to the formation of the Shaktipeeths. 



Shaktipeeth Establishment Story

Once king Daksha organised a Yajna and invited all the Gods in that but did not invited Lord Shiva.When Devi Sati came to know that her father is organising a Yajna she asked Lord Shiva to permit her to attend the Yajna. Lord Shiva tried to explain her that going anywhere without invitation brings dishonor but on much insistence of Mata Sati he permitted her to go.

King Daksha was perplexed to see Mata Sati come uninvited and insulted her and her husband. Devi Sati felt her husbands insult intolerable and jumped and killed herself in the Yajna pyre.

When this news came to Lord Shiva, he came and destroyed the Yajna, took out the body of Mata from the fire, kept it on his shoulders and started roaming in all around the universe. The partly burned body of Mata Sati started falling on the grounds and all the places where it fell became the Shaktipeeths.

The vaginal part of Mata Sati fell at this place so this part of Mata Sati is worshipped at this place. This is why taking photos inside the temple is strictly prohibited.

In addition, Devi remains in Rajaswala position when Ambuvachi Yoga forms once in a year for three days. During this period of three days the doors automatically closes and opens on fourth day. After his a special puja is performed and then the Mata can be viewed and worshiped.

The three days when the doors of Mata Kamakhya temple remains closed is of great importance for the scholars of divine and Mantra powers. This place is also called the Kaumari Tirth(pilgrimage) of this world. During these three days the Tantric meditators from all over the world come here and try to gain the best level of Tantric powers.

Here Mata Sati is called Kamakhya and Bhairav is called Umanand.


kamakhya Temple Importance


The place where Kamakhya temple is situated is also called Kamrup. In the 51 Shaktipeeths, Kamakhya Shakipeeth is also called Mahapeeth. There is a cave in this temple the way to which is very rocky and is called Narkasur Path. There is grand idol of Mata in the middle portion of the temple. There is also a Kund(pond) at this place which is called Saubhagya Kund.

The people believes that offering red stole or cloth fulfills all the wishes of the devotee.
Place to Learn Tantric and Hidden Powers

Along side being the Devi Shaktipeeth Kamakhya is also a place to learn Tantric and hidden powers. During the Rajaswala period of Mata, powerful Tantrics, Aghoris, Hath Yogis and Naga Babas gather here in large. After the end of Rajaswala a spesial puja of Mata is performed. During this Mahakumbh the sages starts thronging this place in large from a week ago.

For Tantric powers, some of these these sages and Tantrics stand in the water, some sit in the water and some stand on one leg and perform meditation.


Kamakhya Devi Mantra:-

Kamakhy Varade Devi Nilparvatvasini;
Twam Devi Jagatam Mataryonimudre Namostute.


A COURTESY OF astrobix.com 
                                                                               
                                                                                   
                                                                                     

Sunday, January 29, 2012

Pardesi



Tum Nehi Ho Mere Saath
Phir Bhi Har Dum Mere Saath Ho
Meri Banzar Sukhi Viraan Si Zameen
Meri Kadmon Tale Har Waqt Shaash Leti Hain
Woh Chupke Se Meri Badan Ki Bojh Utahti Hain
Tum Ajao Kavi Daabe Pair, Main Hoon Tumhari Intezar Mein
Meri Duniya Ki Sukun Ko Tum, Haan Tum Meri Barsat Ho


Meri Charon Taraf Bahut Sare Nazarein Hain
Jo Apni Khusi Se Haar Din Nayi Rang Badalti Hain
Lekin Meri Nigahein Tumhari Nazar Ki Pyassi Hain
Jab Asmaan Mein Kuch Badal Garaj Ke
Mujhe Bekhud Banake Chale Jaate Hain
Tab Shayed Tumhari Desh Mein Jhoom Ke Baarish Hoti Hain
Meri Nayan Bhi Kuch Rangin Khowabon Ki Chahat Mein Hain
Kya Tum Aao Ge Kavi Woh Sapno Ki Saugat Leke ?
Ajao Khudah Ke Liyeh Tum  Meri Armaano Ki Barat Ho


Ek Saya Sa Hain  Mere Saath Jo Tanhai Mein Samne Aate Hain
Aur Jab Main Chalti Hoon Duniya Ki Bazar Mein
Toh Woh Har Ek Chehre Mein Apni Chhap Chhor Jate Hain
Shayed Isiliyeh Har Ek Shaqsh Mein Main Tumhe Dhundti Raheti Hoon
Mere Dil Ki Khalipan Ki Dastan Main Khamoshi Se Sunati Hoon
Kya Tumne Kavi Suna Hain Meri Kahani Kisise Aise Hi ?
Kaash Kisi Din Tumse Meri Ek Laambi Si Mulaqat Ho

Agar Tum Na Aana Chaho Toh Mat Aao Aye Mere Pardesi
Lekin Meri Tarap Meri Aah Meri Intezaar Ki Kuch Toh Kadar Karoge Na
Main Janti Hoon Shayed Tum Aab Mere Nehi Ho
Tum Kisi Aur Ki Bahon Mein Apni Raat Gujarte Ho
Kavi Kavi Sochti Hoon Kyun Tumse Aaj Bhi Main Pyar Karti Hoon
Yeh Mohabbat Toh Meri Haseen Kuch Palon Ki Dard Bhari Paigam Hain
Phir Sochti Hoon Woh Har Ek Lamha Kuch Murjhaye Huye Kaaton Ke Jaise
Meri Sine Mein Har Din Chubhti  Lahu Se Range Khoobsurat Si Gulab Hain
Jo Na Koi Cheen Sake Mujhse Kavi Tum Meri Woh Anmol Daulat Ho

Tum Kaha Ho Pardesi? Tum Kahan Ho 


                                                                         Where Are You?
                                                                                  M-e-Z :)



                                                                                   

Saturday, January 28, 2012

Unlock The Mind

                                                                                                                                                                   

 Hypnotherapy 

Hypnotherapy is a wonderful healing art and offers a great method of reaching goals, motivating oneself, as well as eliminating many problems. Hypnosis and Hypnotherapy as terms are often used interchangeably. There are several methods of hypnosis, and these include stage hypnosis for entertainment purposes; Self Hypnosis, which is a form of inducing yourself to hypnotized state and offering yourself suggestions; guided meditation, which is essentially the same thing as hypnosis, but generally taught or led in groups; and lastly hypnotherapy, which is using hypnosis to bring about a change or therapeutic benefit.

The late Charles Tebbetts, a famous hypnotherapist in Seattle, defined hypnosis as, "All hypnosis is self-hypnosis, and the power is in the mind of the person being hypnotized." I think very much this is a true statement, as the power is in you to induce changes. Thoughts often turn into action, then snowball into results. Proper thoughts will only lead to proper action, leading to proper results.

Hypnotherapy basically consists of someone guiding your thoughts, ideas, beliefs and then you are lead into a trance like state, offering you thoughts that you wish to follow. This trance like state is like a focused concentration, such as when you feel enthralled in fascination by something. Others may describe it as somewhat like a "blanking out", just as when you drive a long distance on a long stretch of highway. 

Roy Hunter, a well known hypnotherapist in the Pacific Northwest, states that hypnosis is basically a form of "guided meditation". Once you are into this state, the hypnotherapist guides you into a deepened state and offers you a suggestion to your subconscious mind. It is natural for the human mind to focus concentration such that one is able to access and control the subconscious. These 3 steps are the major key to hypnotherapy. Once these are done, repeated sessions may assist in anchoring a suggestion in the subject. One might think that basically hypnosis is a method of uploading new programs in to the mind.

Many of the modern disciplines and forms of alternative medicine are derived from hypnosis. NLP, psychotherapy, sports psychology, life coaching, advertising, communication all use hypnosis principles to bring about a change. Many self-help books all employ hypnosis methods. Even many of the Tibetan vajrayana and yogic practices make use of similar techniques to bring about changes to the mind.

One can't be hypnotized against their will, or be made to do some foolish things like jumping up and down and quacking like a duck as most Hollywood movies and television shows would have you believe. The hypnotically induced state is relaxing and comfortable.

I have creatively combined acupuncture and hypnotherapy to treat certain patients and have experienced great success in depression, anxiety, weight loss and smoking, as well as reaching goals. My "Acuhypnotherapy" is a great development in combining these 2 different but useful arts. Basically in my method, I use the acupuncture to induce the trance state, then offer indirect or direct deepening methods, followed by the implanting of a suggestion. For example, if a person want to lose weight, I interview them as to their goals, plan, and steps to reach their goal, have the entire goal time bound and simply plant all the steps that will lead a person to success. Once known, these are written down to coincide with the patient's beliefs and goals. I then induce them by inserting needles into certain points while they are lying down relaxed, then allow them to rest briefly. I may test the level of the trance or use methods to deepen the mental focus, then simply repeat to the patient what they were wanting to overcome or change.

Properly done, hypnotherapy can benefit one in bringing about changes in behavior, anxiety, eliminate poor habits, problem solve, overcome strong negative emotions, bring about healing to the body, control pain, and deal with substance abuse. The list can be endless, as many problems of the body begin in the mind.

If you're seriously considering hypnotherapy, do so with a person that you have rapport with and check for their qualifications through certification. Many life coaches, psychotherapists, MFT's, psychologists, and psychiatrists have some experience with hypnotherapy or can refer you to a reputable one.  



                                                               HAVE A DEEP SLEEP ! AND HEALTHY LIFE ! <3 :)


The Courtesy of www.thechinesemedicineacademy.co.uk

                                                                               

Friday, January 27, 2012

Devi Sharada

                                                                                                         




In Hinduism Saraswati, is the goddess of knowledge, music, arts and science. She is the consort of Brahma, also revered as His Shakti.

The name Saraswati came from "saras" (meaning "flow") and "wati" (meaning "she who has ..."). "she who has flow" or can mean sara meaning "essence" and swa meaning "self". So, Saraswati is symbol of knowledge; its flow (or growth) is like a river and knowledge is supremely alluring, like a beautiful woman. She is depicted as beautiful fair Goddess with Four arms, wearing spotless white saree and seated on white lotus. She is also known as "Sharada", "Vani" and "Vagdevi" (both meaning "speech").



IN ABROAD 



Saraswati, known as Sraosha in Zoroastrianism is the guardian of earth. Sraosha (“obedience”) is also the wife and messenger of Ahura Mazda, and her role as the "Teacher of Daena", Daena being the hypostasis of both "Conscience" and "Religion". She also guides the souls of the deceased to find their way to the afterlife. Her symbolic animal is the cock, whose crowing calls the pious to their religious duties. She is also called Druga for fighting off Drug (Drug, the name for female demon in ancient Veda, from the Sanskrit root druh "to be hostile"). The name Druga is made of Sanskrit dru or dur "with difficulty" and gā or jā ("come", "go"). Saraswati is known as a guardian deity in Buddhism who upholds the teachings of Gautama Buddha by offering protection and assistance to practitioners. She is known in Burmese as Thurathadi ( pronounced [θùja̰ðədì] or [θùɹa̰ðədì]) or Tipitaka Medaw (pronounced [tḭpḭtəka̰ mɛ̀dɔ̀]), Chinese as Biàncáitiān (辯才天), in Thai as Surasawadee (สุรัสวดี) and in Japanese as Benzaiten (弁才天/弁財天). In the East Indian states of Bihar, West Bengal, Orissa: Saraswati is considered to be a daughter of Durga along with her sister Lakshmi and her brothers Ganesha and Karthikeya.


Eulogy on Sarasvati 

I sing praise of Mother Sharada, Who has two beautiful pot like breasts, Who has breast-pots which are filled with ambrosia-like nectar, Who is the support of benevolence, Who is the support of blissful deeds, Whose face is adorned by a servant-like moon, Who has red lips which are full of giving-quality, Who is perpetual, and is my Mother.

I sing praise of Mother Sharada, Who has merciful sympathy in Her glance, Who possesses knowledge in Her hands, Who is awakened with respect to art-forms, Who is adorned by a beautiful bell-garland at the waist, Who is the first (woman), Who is sleepless, Who is the leading beautiful, Who is perpetual, and is my Mother.

I sing praise of Mother Sharada, Who has beautiful curved sides (from hips to breasts) like a plough-head, Who has a tongue resounding with songs, Who is the unique (polymorphic supreme deity) nourisher of Her devotee, Who has cheeks resplendent with glory and surreal wealth, Who possesses energy-garlands in Her hands, Who has tongue resounding with traditional verses, Who is perpetual, and is my Mother.

I sing praise of Mother Sharada, Who is adorned by a beautiful parting of the hair-braid, Who has an eyes which lure an antelope (deer-like-eyes), Who has an enticing voice like a parrot, Who is reverred by Indra (holder of Vajra (thunderbolt) in hand), Who has a hair-braid which can be meditated upon with happiness, Who is perpetual, and is my Mother.

I sing praise of Mother Sharada, Who is serene, Who is with a beautiful body, Whose tress-locks fall at the end of the eyes, Who has flashing creepers like organs (curvy), Who is immeasurable and unthinkable, Who is remembered by sages with devotion according to traditions, Who is perpetual, and is my Mother.



I sing praise of Mother Sharada, Who sits on a deer, a horse, a lion, a Garuda, a swan, an elephant and a bull (in various forms), Who is great, Who is in nine-forms, Who is always dispassionate (or views everyone equally), Who is perpetual, and is my Mother.

I sing praise of Mother Sharada, Who is resplendent like a burning fire, Who is adorned with organs which can bewilder anyone, Who is like a beautiful wandering bumble-bee for the lotus like heart of ours, Who is resplendent with the dance and the music of Her own eulogies, Who is perpetual, and is my Mother.

I sing praise of Mother Sharada, Who is immensely reverred by the eye-like Brahma of the lotus-like universe, Whose face is resplendent with the signs of a mild smile, Whose ears have shimmering and shivering earrings, Who is perpetual, and is my Mother.


 A COURTESY OF www.stutimandal.com   & Wikipedia


                                                                                 

Wednesday, January 25, 2012

The Dancing Wall !

                                                                             
The Legendary "Lost City of Machu Picchu" is with out a doubt the most important tourist attraction in Peru and one of the world's most impressive archaeological sites. Built by the Incas on the summit of "Machu Picchu" (Old Peak), overlooking the deep canyon of the Urubamba river in a semi-tropical area 75 miles from the city of Cusco at 7,000 feet above sea level.



 Machu Picchu is also one of the Inca's best kept secrets, since they did not leave written records
and Spanish chronicles make no mention of the citadel, it remains a mystery. Discovered on in 1911 by the American Yale Professor Hiram Bingham. The building style is "late imperial Inca" thought to have been a sanctuary or temple inhabited by high priests and the "Virgins of the Sun" (chosen women). Excavations revealed that of the 135 skeletons found, 109 were women. No signs of post-Conquest occupation were unearthed.



The original entrance to the complex is on the southwestern side of the citadel at the end of the Inca Trail, a short walk away from "Intipunko" (Sun Gate) the ancient final check point to Machu Picchu. The present entrance on the southeastern side leads to the agricultural section.


The complex can be divided in three distinctly section: Agricultural, urban, and religious. The agricultural area consists of a series of terraces and irrigation channels that serve dual purpose, as cultivation platform- making it self sustained -, and as retention walls to avoid erosion. Some smaller buildings next to large terraces are part of this section and thought to have served as lookout posts.
The urban section starts at "the wall" that separates it from the agricultural area, this group of buildings were constructed on the ridge that descends abruptly to the Urubamba Valley. In the southern part of this section is found a series of niches carved on rock known as "the jail" with elements that include man size niches, stone rings would have served to hold the prisoner's arms, and underground dungeons. The group of refined structures next to the "the jail" is known as "the intellectuals' quarters", with tall walls, nooks, and windows built with reddish stone are considered to have been accommodations for the Amautas (high ranked teachers). One of the buildings has several circular holes carved on the rock floor named the "mortar room" believed to have been used for preparation of dyes.


The largest urban section in Machu Picchu, located on the north western part, is reached by a 67 steps staircase and involves a group of buildings not as finely constructed as other parts of the complex.
The central plaza that separates the religious from the urban section, has a great rock in the center. The religious section contains splendid architecture and masonry work, one of the most important and enigmatic is probably the Intihuatana shrine, this block of granite was presumably used to make astronomical observations.
Descending the hill next to this site is the Great Central Temple, a three walled building with fine stonework and an attached smaller temple called the "Sacristy". Next to this structure is another three walled building, known as the Temple of the Three Windows, so called because of the trapezoidal openings on the east wall. Directly across is the Royal sector, with ample buildings typical of Inca royalty. A very important structure is this section is the "Temple of the Sun", a circular tower with the best stonework of Machu Piccho. Its Recent studies show that the actual purpose was for astronomical observance.

A COURTESY OF peru-travel.com 


                                                                           

Sunday, January 22, 2012

OM

                                                                                  


"The goal which all the Vedas declare, which all austerities aim at, and which men desire when they lead the life of continence … is Om. This syllable Om is indeed Brahman. Whosoever knows this syllable obtains all that he desires. This is the best support; this is the highest support. Whosoever knows this support is adored in the world of Brahma."
~ Katha Upanishad I



Om or Aum is of paramount importance in Hinduism. This symbol (as seen in the image on the right) is a sacred syllable representing Brahman, the impersonal Absolute of Hinduism — omnipotent, omnipresent, and the source of all manifest existence. Brahman, in itself, is incomprehensible; so a symbol becomes mandatory to help us realize the Unknowable. Om, therefore, represents both the unmanifest (nirguna) and manifest (saguna) aspects of God. That is why it is called pranava, to mean that it pervades life and runs through our prana or breath.


Om in Daily Life
Although Om symbolizes the most profound concepts of Hindu belief, it is in use daily. The Hindus begin their day or any work or a journey by uttering Om. The sacred symbol is often found at the head of letters, at the beginning of examination papers and so on. Many Hindus, as an expression of spiritual perfection, wear the sign of Om as a pendant. This symbol is enshrined in every Hindu temple premise or in some form or another on family shrines.


It is interesting to note that a newly born child is ushered into the world with this holy sign. After birth, the child is ritually cleansed and the sacred syllable Om is written on its tongue with honey. Thus right at the time of birth the syllable Om is initiated into the life of a Hindu and ever remains with him as the symbol of piety. Om is also a popular symbol used in contemporary body art and tattoos.


The Eternal Syllable
According to the Mandukya Upanishad, "Om is the one eternal syllable of which all that exists is but the development. The past, the present, and the future are all included in this one sound, and all that exists beyond the three forms of time is also implied in it".


The Music of Om
Om is not a word but rather an intonation, which, like music, transcends the barriers of age, race, culture and even species. It is made up of three Sanskrit letters, aa, au and ma which, when combined together, make the sound Aum or Om. It is believed to be the basic sound of the world and to contain all other sounds. It is a mantra or prayer in itself. If repeated with the correct intonation, it can resonate throughout the body so that the sound penetrates to the centre of one's being, the atman or soul.


There is harmony, peace and bliss in this simple but deeply philosophical sound. By vibrating the sacred syllable Om, the supreme combination of letters, if one thinks of the Ultimate Personality of Godhead and quits his body, he will certainly reach the highest state of "stateless" eternity, states the Bhagavad Gita.

The Vision of Om
Om provides a dualistic viewpoint. On one hand, it projects the mind beyond the immediate to what is abstract and inexpressible. On the other hand, it makes the absolute more tangible and comprehensive. It encompasses all potentialities and possibilities; it is everything that was, is, or can yet be. It is omnipotent and likewise remains undefined.


The Power of Om
During meditation, when we chant Om, we create within ourselves a vibration that attunes sympathy with the cosmic vibration and we start thinking universally. The momentary silence between each chant becomes palpable. Mind moves between the opposites of sound and silence until, at last, it ceases the sound. In the silence, the single thought—Om—is quenched; there is no thought. This is the state of trance, where the mind and the intellect are transcended as the individual self merges with the Infinite Self in the pious moment of realization. It is a moment when the petty worldly affairs are lost in the desire for the universal. Such is the immeasurable power of Om.


A Courtesy of  hinduism.about.com


          "NA UMRON KI SIMAH HO, NA JANMON KA HO BANDHAN, JAB PYAR KAREN                                                                                         KOI
                                 TOH DEKHE KEWAL MANN " --- THE TRUTH OF LIFE ! HARI OM :)